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Part III - Operetta since 1900

Published online by Cambridge University Press:  14 November 2019

Edited by
Anastasia Belina  and
Derek B. Scott
Anastasia Belina
Affiliation:
University of Leeds
Derek B. Scott
Affiliation:
University of Leeds
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The Cambridge Companion to Operetta , pp. 187 - 294
Publisher: Cambridge University Press
Print publication year: 2019

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References

Recommended Reading

Frey, Stefan. Was sagt ihr zu diesem Erfolg: Franz Lehár und die Unterhaltungsmusik des 20. Jahrhunderts. Frankfurt: Insel, 1999.Google Scholar
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Recommended Reading

Bartmuss, Hartmut. Hugo Hirsch: ‘Wer wird denn weinen …’ Berlin: Hentrich & Hentrich, 2012.Google Scholar
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Recommended Reading

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Recommended Reading

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Recommended Reading

Coward, Noël. Present Indicative. London: Heinemann, 1937.Google Scholar
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Niccolai, Michela and Rowden, Clair, eds. Musical Theatre in Europe 1830–1945. Turnhout: Brepols, 2017.Google Scholar
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Recommended Reading

Dompke, Christoph. Unterhaltungsmusik und NS-Verfolgung. Neumünster: Von Bockel 2011.Google Scholar
Drewniak, Bogusław. Das Theater im NS-Staat. Szenarium deutscher Zeitgeschichte 1933–1945. Düsseldorf: Droste 1983.Google Scholar
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Films Referenced

Bitter Sweet (1933), dir. Herbert Wilcox. British and Dominions Film Corporation. (British Classics Collection, 2015).Google Scholar
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Der Kongreß tanzt (1931), dir. Erik Charell. Ufa. Klassiker Edition. (Ufa, 2009).Google Scholar
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Ein Walzertraum (1925), dir. Ludwig Berger. Ufa.Google Scholar
Der Zarewitsch (1933), dir. Victor Janson. Prima-Tonfilm.Google Scholar
Zwei Herzen im Dreivierteltakt (1930), dir. Géza von Bolváry. Super-Film.Google Scholar

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