Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-dsjbd Total loading time: 0 Render date: 2024-11-29T13:23:23.654Z Has data issue: false hasContentIssue false

3 - Story, plot, and narration

from Part II - Studying narrative fiction: a starter-kit

Published online by Cambridge University Press:  28 September 2007

David Herman
Affiliation:
Ohio State University
Get access

Summary

One fine summer morning - it was the beginning of harvest, I remember - Mr. Earnshaw, the old master, came down stairs, dressed for a journey; and, after he had told Joseph what was to be done during the day, he turned to Hindley, and Cathy, and me - for I sat eating my porridge with them - and he said, speaking to his ooon,

“Now my bonny man, I'm going to Liverpool, to-day . . . What shall I bring you? You may choose what you like: only let it be little, for I shall walk there and back; sixty miles each way, that is a long spell!”

Hindley named a fiddle, and then he asked Cathy; she was hardly six years old, but she could ride any horse in the stable, and she chose a whip.

He did not forget me, for he had a kind heart, though he was rather severe, sometimes. He promised to bring me a pocketful of apples and pears, and then he kissed his children good-bye, and set off.

This is how the story of Emily Brontë's novel, Wuthering Heights, begins. Like most stories, it begins with a beginning. This is a more important point than it may seem: all stories move only in one direction, forward through time. If there is a knowable beginning, that's where they begin. If there is a knowable end, that's where they end. The process of telling is the story's narration, and at this point Ellen (Nelly) Dean, a servant in the household, is its narrator. This distinction between story and narration is also important. It is an implicit acknowledgment that a story is understood as having a separate existence from its narration. As such, it can be told in different ways by different narrators. Were Hindley or Cathy our narrator at this point, the narration of this story would be different, with different words, different emotional inflections, different perspectives, and different details. These narrators might even contradict each other.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2007

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×