Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-586b7cd67f-g8jcs Total loading time: 0 Render date: 2024-11-23T01:47:20.706Z Has data issue: false hasContentIssue false

8 - Virtual Worlds from Recording to Video Games

Published online by Cambridge University Press:  30 August 2019

By
Isabella van Elferen
Edited by
Nicholas Cook ,
Monique M. Ingalls  and
David Trippett
Nicholas Cook
Affiliation:
University of Cambridge
Monique M. Ingalls
Affiliation:
Baylor University, Texas
David Trippett
Affiliation:
University of Cambridge
Get access

Summary

Music plays a significant role in both the establishment of and immersion in virtual worlds. This chapter theorises various forms of musical virtual reality, arguing that the virtual worlds of music challenge existing understandings of virtual reality and immersion. Analysing recording technology, mobile music, video games and the phenomenology of listening, the chapter argues that musical virtual reality can be theorised as an omnipresent, perpetually moving and embodied circulation of musical energy. Musical virtual reality invites a ‘drastic’ musicology that engages with the immediate, immersive and affectively powerful aspects of the listening event.

Keywords

virtualityvirtual realityaugmented realityimmersionaffectmusical energyrecording technologymobile musicvideo gamesdrastic musicology
Type
Chapter
Information
The Cambridge Companion to Music in Digital Culture , pp. 209 - 226
Publisher: Cambridge University Press
Print publication year: 2019

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

For Further Study

Cheng, William. 2014. Sound Play: Video Games and the Musical Imagination. Oxford: Oxford University Press.Google Scholar
Kramer, Jonathan. 1988. The Time of Music: New Meanings, New Temporalities, New Listening Strategies. New York: Schirmer.Google Scholar
Miller, Kiri. 2012. Playing Along: Digital Games, YouTube, and Virtual Performance. Oxford: Oxford University Press.Google Scholar
Nancy, Jean-Luc. 2007. Listening. Translated by Mandell, Charlotte. New York: Fordham University Press.Google Scholar
Van Elferen, Isabella. 2011. ‘¡Un Forastero! Issues of Virtuality and Diegesis in Videogame Music’. Music and the Moving Image 4 (2): 30–9.Google Scholar
Voegelin, Salomé. 2014. Sonic Possible Worlds: Hearing the Continuum of Sound. New York: Bloomsbury.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×