Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-tf8b9 Total loading time: 0 Render date: 2024-11-22T17:45:44.767Z Has data issue: false hasContentIssue false

Select Bibliography

Published online by Cambridge University Press:  06 August 2021

Benedict Taylor
Affiliation:
University of Edinburgh
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2021

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Abrams, M. H. The Correspondent Breeze: Essays on English Romanticism (New York: Norton, 1984).Google Scholar
Abrams, M. H. The Mirror and the Lamp: Romantic Theory and the Critical Tradition (Oxford: Oxford University Press, 1953).Google Scholar
Abrams, M. H. Natural Supernaturalism: Tradition and Revolution in Romantic Literature (New York: Norton, 1971).Google Scholar
Beiser, Frederick C. The Romantic Imperative: The Concept of Early German Romanticism (Cambridge, MA: Harvard University Press, 2003).Google Scholar
Berlin, Isaiah. The Roots of Romanticism, ed. Hardy, Henry (London: Chatto & Windus, 1999).Google Scholar
Bowie, Andrew. Aesthetics and Subjectivity: From Kant to Nietzsche (Manchester: Manchester University Press, 2003).CrossRefGoogle Scholar
Charlton, D. G. (ed.). The French Romantics, 2 vols. (Cambridge: Cambridge University Press, 1984).Google Scholar
Eldridge, Richard. The Persistence of Romanticism: Essays in Philosophy and Literature (Cambridge: Cambridge University Press, 2001).CrossRefGoogle Scholar
Ferber, Michael (ed.). A Companion to European Romanticism (Oxford: Blackwell, 2005).Google Scholar
Ferber, Michael. Romanticism: A Very Short Introduction (Oxford: Oxford University Press, 2010).Google Scholar
Ferguson, Frances. ‘On the Numbers of Romanticisms’, ELH, 58/2 (1991), 471–98.Google Scholar
Frank, Manfred. The Philosophical Foundations of Early German Romanticism (Albany: SUNY Press, 2003).Google Scholar
Frye, Northrop (ed.). Romanticism Reconsidered (New York: Columbia University Press, 1963).Google Scholar
Furst, Lilian R. (ed.). European Romanticism: Self-Definition. An Anthology (London: Methuen, 1980).Google Scholar
Hamilton, Paul (ed.). The Oxford Handbook of European Romanticism (Oxford: Oxford University Press, 2015).Google Scholar
Izenberg, Gerald. Impossible Individuality: Romanticism, Revolution, and the Origins of Modern Selfhood, 1787–1802 (Princeton: Princeton University Press, 1992).CrossRefGoogle Scholar
Lacoue-Labarthe, Philippe, and Nancy, Jean-Luc. The Literary Absolute: The Theory of Literature in German Romanticism, trans. Barnard, Philip and Lester, Cheryl (Albany: SUNY Press, 1988).Google Scholar
Lovejoy, Arthur. ‘On the Discrimination of Romanticisms’, Proceedings of the Modern Language Association, 39 (1924), 229–53.Google Scholar
Löwy, Michael, and Sayre, Robert. Romanticism Against the Tide of Modernity, trans. Porter, Catherine (Durham, NC and London: Duke University Press, 2001).Google Scholar
McGann, Jerome J. The Romantic Ideology (Chicago: University of Chicago Press, 1983).Google Scholar
Peckham, Morse. ‘Toward a Theory of Romanticism’, Proceedings of the Modern Language Association, 66 (1951), 523.CrossRefGoogle Scholar
Pratz, Mario. The Romantic Agony (London: Oxford University Press, 1933).Google Scholar
Remak, Henry H. H. ‘West European Romanticism: Definition and Scope’, in Stallknecht, Newton P. and Frenz, Horst (eds.), Comparative Literature: Method and Perspective (Carbondale, IL: Southern Illinois University Press, 1961), 223–59.Google Scholar
Safranski, Rüdiger. Romanticism: A German Affair, trans. Goodwin, Robert E. (Evanston: Northwestern University Press, 2014).Google Scholar
Saul, Nicholas (ed.). The Cambridge Companion to German Romanticism (Cambridge: Cambridge University Press, 2009).CrossRefGoogle Scholar
Wellek, René. ‘The Concept of “Romanticism” in Literary History II: The Unity of European Romanticism’, Comparative Literature, 1/2 (1949), 147–72.Google Scholar
Ziolkowski, Theodore. German Romanticism and Its Institutions (Princeton: Princeton University Press, 1990).CrossRefGoogle Scholar

Secondary Sources

Cooper, John Michael (ed.). Historical Dictionary of Romantic Music (Lanham, MD: Scarecrow Press, 2013).Google Scholar
Dahlhaus, Carl. Between Romanticism and Modernism: Four Studies in the Music of the Later Nineteenth Century, trans. Whittall, Mary (Berkeley and Los Angeles: University of California Press, 1980).CrossRefGoogle Scholar
Dahlhaus, Carl Nineteenth-Century Music, transRobinson, . J. Bradford (Berkeley and Los Angeles: University of California Press, 1989).Google Scholar
Frisch, Walter. Music in the Nineteenth Century (New York: W. W. Norton, 2013).Google Scholar
Rummenhöller, Peter. Romantik in der Musik: Analysen, Portraits, Reflexionen (Munich: Deutsche Taschenbuch Verlag, 1989).Google Scholar
Samson, Jim (ed.). The Cambridge History of Nineteenth-Century Music (Cambridge: Cambridge University Press, 2001).Google Scholar
Samson, Jim. ‘Romanticism’, in The New Grove Dictionary of Music and Musicians, ed. Sadie, Stanley, 29 vols. (London: Macmillan, 2001), vol. 21, 596603.Google Scholar
Berlioz, Hector. Memoirs of Hector Berlioz, trans. Cairns, David (London: Everyman’s Library, 2002).Google Scholar
Hanslick, Eduard. Eduard Hanslick’s ‘On the Musically Beautiful’: A New Translation, ed. and trans. Rothfarb, Lee and Landerer, Christoph (New York: Oxford University Press, 2018).Google Scholar
Hoffmann, E. T. A. E. T. A. Hoffmann’s Musical Writings: Kreisleriana, The Poet and the Composer, Music Criticism, ed., annot., intro. Charlton, David, trans. Clarke, Martyn (Cambridge: Cambridge University Press, 1989).Google Scholar
Le Huray, Peter, and Day, James (eds.). Music and Aesthetics in the Eighteenth and Early Nineteenth Centuries (Cambridge: Cambridge University Press, 1981).Google Scholar
Lippman, Edward A. (ed.). Musical Aesthetics: A Historical Reader, vol. II: The Nineteenth Century (Stuyvesant, NY: Pendragon Press, 1988).Google Scholar
Schlegel, Friedrich. Philosophical Fragments, trans. Firchow, Peter (Minneapolis: University of Minnesota Press, 1991).Google Scholar
Schopenhauer, Arthur. The World as Will and Representation, trans. Payne, E. F. J., 2 vols. (New York: Dover, 1958).Google Scholar
Schumann, Robert. Schumann on Music: A Selection from the Writings, trans. Pleasants, Henry (New York: Dover, 1965).Google Scholar
Wackenroder, Wilhelm Heinrich. Wilhelm Heinrich Wackenroder’s Confessions and Fantasies, trans. Hurst Schubert, Mary (University Park, PA: Pennsylvanian State University Press, 1971).Google Scholar
Wagner, Richard. Richard Wagner’s ‘Beethoven’ (1870): A New Translation, trans. and ed. Allen, Roger (Woodbridge: Boydell Press, 2014).Google Scholar
Weber, Carl Maria von. Writings on Music, ed. Warrack, John, trans. Cooper, Martin (Cambridge: Cambridge University Press, 1981).Google Scholar
Agawu, Kofi. Music as Discourse: Semiotic Adventures in Romantic Music (Oxford: Oxford University Press, 2009).Google Scholar
Bent, Ian (ed.). Music Theory in the Age of Romanticism (Cambridge: Cambridge University Press, 1996).Google Scholar
Bonds, Mark Evan. The Beethoven Syndrome: Hearing Music as Autobiography (New York: Oxford University Press, 2020).CrossRefGoogle Scholar
Bonds, Mark Evan Music as Thought: Listening to the Symphony in the Age of Beethoven (Princeton: Princeton University Press, 2006).Google Scholar
Brittan, Francesca. Music and Fantasy in the Age of Berlioz (Cambridge: Cambridge University Press, 2017).Google Scholar
Chua, Daniel K. L. Absolute Music and the Construction of Meaning (Cambridge: Cambridge University Press, 1999).CrossRefGoogle Scholar
Dahlhaus, Carl. The Idea of Absolute Music, trans. Lustig, Roger (Chicago: University of Chicago Press, 1989).Google Scholar
Dahlhaus, Carl Klassische und romantische Musikästhetik (Laaber: Laaber Verlag, 1988).Google Scholar
Danuser, Hermann. Weltanschauungsmusik (Schliengen: Edition Argus, 2009).Google Scholar
Daverio, John. Nineteenth-Century Music and the German Romantic Ideology (New York: Schirmer, 1993).Google Scholar
Donovan, Siobhán and Elliott, Robin (eds.). Music and Literature in German Romanticism (Rochester, NY and Woodbridge: Camden House, 2004).Google Scholar
Ferris, David. Schumann’s Eichendorff Liederkreis and the Genre of the Romantic Cycle (New York: Oxford University Press, 2000).Google Scholar
Feurzeig, Lisa. Schubert’s Lieder and the Philosophy of Early German Romanticism (Farnham: Ashgate, 2014).Google Scholar
Franklin, Peter. Reclaiming Late-Romantic Music: Singing Devils and Distant Sounds (Berkeley and Los Angeles: University of California Press, 2014).CrossRefGoogle Scholar
Garratt, James. Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music (Cambridge: Cambridge University Press, 2002).Google Scholar
Gelbart, Matthew. The Invention of ‘Folk Music’ and ‘Art Music’: Emerging Categories from Ossian to Wagner (Cambridge: Cambridge University Press, 2007).Google Scholar
Gooley, Dana. Fantasies of Improvisation: Free Playing in Nineteenth-Century Music (New York: Oxford University Press, 2017).Google Scholar
Loughridge, Deirdre. Haydn’s Sunrise, Beethoven’s Shadow: Audiovisual Culture and the Emergence of Musical Romanticism (Chicago: University of Chicago Press, 2016).Google Scholar
Lubkoll, Christina. Mythos Musik: Poetische Entwürfe des Musikalischen in der Literatur um 1800 (Freiburg: Rombach, 1995).Google Scholar
Morton, Marsha L., and Schmunk, Peter L. (eds.). The Arts Entwined: Music and Painting in the Nineteenth Century (New York: Garland, 2000).Google Scholar
Perrey, Beate. Schumann’s Dichterliebe and Early Romantic Poetics: Fragmentation of Desire (Cambridge: Cambridge University Press, 2002).Google Scholar
Reibel, Emmanuel. Comment la musique est devenue ‘romantique’: De Rousseau à Berlioz (Paris: Fayard, 2013).Google Scholar
Rosen, Charles. The Romantic Generation (Cambridge, MA: Harvard University Press, 1995).Google Scholar
Rumph, Stephen. Beethoven After Napoleon: Political Romanticism in the Late Works (Berkeley and Los Angeles: University of California Press, 2004).Google Scholar
Tadday, Ulrich. Das schöne Unendliche: Ästhetik, Kritik, Geschichte der romantischen Musikanschauung (Stuttgart, Metzler, 1999).Google Scholar
Taylor, Benedict. Mendelssohn, Time and Memory: The Romantic Conception of Cyclic Form (Cambridge: Cambridge University Press, 2011).CrossRefGoogle Scholar
Vande Moortele, Steven. The Romantic Overture and Musical Form from Rossini to Wagner (Cambridge: Cambridge University Press, 2017).Google Scholar
Walton, Benjamin, and Mathew, Nicholas. The Invention of Beethoven and Rossini (Cambridge: Cambridge University Press, 2013).Google Scholar
Watkins, Holly. Metaphors of Depth in German Musical Thought: From E. T. A. Hoffmann to Arnold Schoenberg (Cambridge: Cambridge University Press, 2011).Google Scholar
White, Harry, and Murphy, Michael (eds.). Musical Constructions of Nationalism: Essays on the History and Ideology of European Musical Culture 1800–1945 (Cork: Cork University Press, 2001).Google Scholar
Wood, Gillen D’Arcy. Romanticism and Music Culture in Britain, 1770–1840: Virtue and Virtuosity (Cambridge: Cambridge University Press, 2010).Google Scholar
Abraham, Gerald (ed.). Romanticism (1830–1890), volume 9 of The New Oxford History of Music (Oxford: Oxford University Press, 1990).Google Scholar
Einstein, Alfred. Music in the Romantic Era: A History of Musical Thought in the 19th Century (New York: W. W. Norton & Co., 1947).Google Scholar
Finson, Jon W. Nineteenth-Century Music: The Western Classical Tradition (Upper Saddle River, NJ: Prentice Hall, 2002).Google Scholar
Longyear, Rey M. Nineteenth-Century Romanticism in Music (Englewood Cliffs, N.J.: Prentice Hall, 1969).Google Scholar
Mellers, Wilfrid. Romanticism and the Twentieth Century, volume 4 of Man and His Music: The Story of Musical Experience in the West (London: Barrie and Rockliffe, 1962).Google Scholar
Plantinga, Leon. Romantic Music: A History of Musical Style in Nineteenth-Century Europe (New York: W. W. Norton, 1984).Google Scholar
Ratner, Leonard G. Romantic Music. Sound and Syntax (New York: Schirmer, 1992).Google Scholar
Ringer, Alexander (ed.). The Early Romantic Era. Between Revolutions: 1789 and 1848 (London: Macmillan, 1990).Google Scholar
Samson, Jim (ed.). The Late Romantic Era: From the Mid-19th Century to World War I (London: Macmillan, 1991).Google Scholar
Taruskin, Richard. Music in the Nineteenth Century, volume 3 of The Oxford History of Western Music, 6 vols. (New York: Oxford University Press, 2005).Google Scholar
Whittall, Arnold. Romantic Music: A Concise History from Schubert to Sibelius (London: Thames and Hudson, 1987).Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Select Bibliography
  • Edited by Benedict Taylor, University of Edinburgh
  • Book: The Cambridge Companion to Music and Romanticism
  • Online publication: 06 August 2021
  • Chapter DOI: https://doi.org/10.1017/9781108647342.023
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Select Bibliography
  • Edited by Benedict Taylor, University of Edinburgh
  • Book: The Cambridge Companion to Music and Romanticism
  • Online publication: 06 August 2021
  • Chapter DOI: https://doi.org/10.1017/9781108647342.023
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Select Bibliography
  • Edited by Benedict Taylor, University of Edinburgh
  • Book: The Cambridge Companion to Music and Romanticism
  • Online publication: 06 August 2021
  • Chapter DOI: https://doi.org/10.1017/9781108647342.023
Available formats
×