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Part IV - Practices

Published online by Cambridge University Press:  06 August 2021

Edited by
Benedict Taylor
Benedict Taylor
Affiliation:
University of Edinburgh
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The Cambridge Companion to Music and Romanticism , pp. 229 - 324
Publisher: Cambridge University Press
Print publication year: 2021

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References

Further Reading

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Further Reading

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Further Reading

Ferris, David. Schumann’s Eichendorff Liederkreis and the Genre of the Romantic Cycle (New York: Oxford University Press, 2000).Google Scholar
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Taylor, Benedict. ‘Absent Subjects and Empty Centers: Eichendorff’s Romantic Phantasmagoria and Schumann’s Liederkreis, Op. 39’, 19th-Century Music, 40/3 (2017), 201–22.Google Scholar
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Further Reading

Brittan, Francesca. Music and Fantasy in the Age of Berlioz (Cambridge: Cambridge University Press, 2017).Google Scholar
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Further Reading

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Garratt, James. Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music (Cambridge: Cambridge University Press, 2002).Google Scholar
Gelbart, Matthew. The Invention of ‘Folk Music’ and ‘Art Music’: Emerging Categories from Ossian to Wagner (Cambridge: Cambridge University Press, 2007).Google Scholar
Gooley, Dana. Fantasies of Improvisation: Free Playing in Nineteenth-Century Music (New York: Oxford University Press, 2017).Google Scholar
Gooley, Dana. ‘“La Commedia del Violino”: Paganini’s Comic Strains’, Musical Quarterly, 88/3 (2005), 370–427.Google Scholar
Gooley, Dana. The Virtuoso Liszt (Cambridge: Cambridge University Press, 2004).Google Scholar
Hamilton, Kenneth. Romantic Pianism and Modern Performance (New York: Oxford University Press, 2008).Google Scholar
Hunter, Mary. ‘“To Play as if from the Soul of the Composer”: The Idea of the Performer in Early Romantic Aesthetics’, Journal of the American Musicological Society, 58/2 (2005), 357–98.Google Scholar
Kawabata, Maiko. Paganini, the ‘Demonic’ Virtuoso (Woodbridge: Boydell & Brewer, 2013).Google Scholar
Richards, Annette. The Free Fantasia and the Musical Picturesque (Cambridge: Cambridge University Press, 2001).Google Scholar
Suttoni, Charles (ed. and trans.). Franz Liszt, an Artist’s Journey: Lettres d’un bachelier ès musique, 1835–1841 (Chicago: Chicago University Press, 1989).Google Scholar
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  • Practices
  • Edited by Benedict Taylor, University of Edinburgh
  • Book: The Cambridge Companion to Music and Romanticism
  • Online publication: 06 August 2021
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  • Practices
  • Edited by Benedict Taylor, University of Edinburgh
  • Book: The Cambridge Companion to Music and Romanticism
  • Online publication: 06 August 2021
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Practices
  • Edited by Benedict Taylor, University of Edinburgh
  • Book: The Cambridge Companion to Music and Romanticism
  • Online publication: 06 August 2021
Available formats
×