Book contents
- Frontmatter
- Introduction: modern British culture
- 1 Becoming British
- 2 Language developments in British English
- 3 Schooling and culture
- 4 The changing character of political communications
- 5 Contemporary Britain and its regions
- 6 Contemporary British cinema
- 7 Contemporary British fiction
- 8 Contemporary British poetry
- 9 Theatre in modern British culture
- 10 Contemporary British television
- 11 British art in the twenty-first century
- 12 British fashion
- 13 Sport in contemporary Britain
- 14 British sexual cultures
- 15 British popular music, popular culture and exclusivity
- 16 British newspapers today
- 17 The struggle for ethno-religious equality in Britain: the place of the Muslim community
- Guide to further reading
- Index
14 - British sexual cultures
Published online by Cambridge University Press: 28 September 2010
- Frontmatter
- Introduction: modern British culture
- 1 Becoming British
- 2 Language developments in British English
- 3 Schooling and culture
- 4 The changing character of political communications
- 5 Contemporary Britain and its regions
- 6 Contemporary British cinema
- 7 Contemporary British fiction
- 8 Contemporary British poetry
- 9 Theatre in modern British culture
- 10 Contemporary British television
- 11 British art in the twenty-first century
- 12 British fashion
- 13 Sport in contemporary Britain
- 14 British sexual cultures
- 15 British popular music, popular culture and exclusivity
- 16 British newspapers today
- 17 The struggle for ethno-religious equality in Britain: the place of the Muslim community
- Guide to further reading
- Index
Summary
[T]here are areas in which the State, or the community, no longer has a role or, if it does have one, it is a role that is completely different. It is not for the State to tell people that they cannot choose a different life-style, for example in issues to do with sexuality.
Companions to a national culture, such as this, rarely include any sustained discussion of sexuality, sexual cultures and sexual practices; perhaps readers are not thought to require information about a nation's private pleasures. While sexuality may be acknowledged as an important part of an individual's sense of self, its relation to the body politic or nation-state is seemingly not important enough to warrant discussion. Yet this sidelining of the sexual sphere is a part of the fiction, espoused by Tony Blair in the above quotation, that the sexual exists separate from popular culture, national identity, politics and the social more generally. Perhaps it is difficult to accept that sex is closely tied to community and questions of national identity, but that is what this chapter will attempt to say. That is not to claim that there is something that can be identified as the British sexual character although many people have tried to define it. One-time producer of British sex films, Stanley Long summed up the British and sex: 'Until the 1960s there had been such a suppression of all things sexual. I think it was a hangover from the Victorian era and this country suffered from terrible inhibitions. I think it's a national trait that we aren't very good at being erotic.
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- The Cambridge Companion to Modern British Culture , pp. 244 - 261Publisher: Cambridge University PressPrint publication year: 2010
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