Book contents
- The Cambridge Companion to Metal Music
- Cambridge Companions to Music
- The Cambridge Companion to Metal Music
- Copyright page
- Contents
- Figures
- Tables
- Notes on Contributors
- 1 Introduction
- 2 Get Your Double Kicks on Route 666
- Part I Metal, Technology and Practice
- Part II Metal and History
- Part III Metal and Identity
- Part IV Metal Activities
- Part V Modern Metal Genres
- 16 On Horseback They Carried Thunder
- 17 Subgenre Qualifiers and Prescribed Creativity in Technical Death Metal
- 18 From ‘Stereotyped Postures’ to ‘Credible Avant-Garde Strategies’
- 19 Djent and the Aesthetics of Post-Digital Metal
- 20 Contempt-of-Core
- Part VI Global Metal
- Select Academic Bibliography
- Select Journalistic Bibliography
- Index
19 - Djent and the Aesthetics of Post-Digital Metal
from Part V - Modern Metal Genres
Published online by Cambridge University Press: 31 August 2023
- The Cambridge Companion to Metal Music
- Cambridge Companions to Music
- The Cambridge Companion to Metal Music
- Copyright page
- Contents
- Figures
- Tables
- Notes on Contributors
- 1 Introduction
- 2 Get Your Double Kicks on Route 666
- Part I Metal, Technology and Practice
- Part II Metal and History
- Part III Metal and Identity
- Part IV Metal Activities
- Part V Modern Metal Genres
- 16 On Horseback They Carried Thunder
- 17 Subgenre Qualifiers and Prescribed Creativity in Technical Death Metal
- 18 From ‘Stereotyped Postures’ to ‘Credible Avant-Garde Strategies’
- 19 Djent and the Aesthetics of Post-Digital Metal
- 20 Contempt-of-Core
- Part VI Global Metal
- Select Academic Bibliography
- Select Journalistic Bibliography
- Index
Summary
This chapter explores the evolution of the djent subgenre from the perspective of the musical, technological and environmental factors that have shaped its identity. The chapter considers the early circumstances of djent’s emergence during the early mid−2000s, with particular reference to the online culture which contributed to its wider transmission and proliferation. Key musical influences are also discussed, including djent’s roots in progressive metal and the work of bands such as Meshuggah and SikTh, as well as the subgenre’s interaction with electronic music aesthetics and popular music. A principal focus of the chapter is on the role of emerging digital technologies, particularly Digital Audio Workstations (DAW) and digital amplifier and drum kit modelling software, in the formation of djent’s musical and sonic characteristics. Finally, the chapter considers djent’s position as a subgenre within modern metal music and evaluates, with reference to the critical reception literature, the debates that persist concerning its legitimacy within metal.
Keywords
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- Information
- The Cambridge Companion to Metal Music , pp. 265 - 280Publisher: Cambridge University PressPrint publication year: 2023