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Published online by Cambridge University Press: 19 March 2021
The central focus of this chapter is on variations in Atwood’s perennial theme of sexual power politics, with extensive analysis of early poems in The Circle Game, Power Politics, and Bodily Harm, developing into an extended exploration of the interface between power politics in the personal and public worlds in The Handmaid’s Tale with its current sociopolitical relevance for women’s rights and human rights. This chapter concludes with an interpretation of The Heart Goes Last, reading it through Ahmed’s theory of affectivity, eliding personal and wider political resonances.
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