Book contents
- Frontmatter
- Introduction: Marginalia on Mahler today
- PART ONE Cultural contexts
- PART TWO Mahler the creative musician
- 4 Juvenilia and early works: from the first song fragments to Das klagende Lied
- 5 Song and symphony (I). Lieder und Gesänge Volume 1, Lieder eines fahrenden Gesellen and the First Symphony: compositional patterns for the future
- 6 Song and song-symphony (I). Des Knaben Wunderhorn and the Second, Third and Fourth Symphonies: music of heaven and earth
- 7 Song and symphony (II). From Wunderhorn to Rückert and the middle-period symphonies: vocal and instrumental works for a new century
- 8 The ‘greatest’ and the ‘most personal’: the Eighth Symphony and Das Lied von der Erde
- 9 The last works
- PART THREE Mahler the re-creative musician
- PART FOUR Reception and performance
- Appendix: selected discography
- Notes
- Bibliography
- Index
7 - Song and symphony (II). From Wunderhorn to Rückert and the middle-period symphonies: vocal and instrumental works for a new century
from PART TWO - Mahler the creative musician
Published online by Cambridge University Press: 28 September 2011
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Book contents
- Frontmatter
- Introduction: Marginalia on Mahler today
- PART ONE Cultural contexts
- PART TWO Mahler the creative musician
- 4 Juvenilia and early works: from the first song fragments to Das klagende Lied
- 5 Song and symphony (I). Lieder und Gesänge Volume 1, Lieder eines fahrenden Gesellen and the First Symphony: compositional patterns for the future
- 6 Song and song-symphony (I). Des Knaben Wunderhorn and the Second, Third and Fourth Symphonies: music of heaven and earth
- 7 Song and symphony (II). From Wunderhorn to Rückert and the middle-period symphonies: vocal and instrumental works for a new century
- 8 The ‘greatest’ and the ‘most personal’: the Eighth Symphony and Das Lied von der Erde
- 9 The last works
- PART THREE Mahler the re-creative musician
- PART FOUR Reception and performance
- Appendix: selected discography
- Notes
- Bibliography
- Index
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- The Cambridge Companion to Mahler , pp. 108 - 127Publisher: Cambridge University PressPrint publication year: 2007
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