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Chapter 4 - Voice and Performance

Published online by Cambridge University Press:  aN Invalid Date NaN

By
Marit J. MacArthur  and
Lee M. Miller
Edited by
Adam Hammond
Adam Hammond
Affiliation:
University of Toronto
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Summary

This chapter outlines a novel, rigorous method for studying literary recordings, which can support a paradigm shift in the study of literature as performance. The method incorporates leading-edge, open-source digital tools for analyzing speech patterns in recordings, and an ethically grounded approach to analysis, with attention to the neuroscience of speech perception, implicit bias in listening, and relevant theories of sound studies and voice studies. It also includes an overview of our own work on poetry recordings and of related developments in digital voice studies, and speculates about future directions for this research.

Keywords

voicesoundoral(ity)aural(ity)performanceclose listeningdistant listeningpoet voicefundamental frequencypitch
Type
Chapter
Information
The Cambridge Companion to Literature in a Digital Age , pp. 66 - 88
Publisher: Cambridge University Press
Print publication year: 2024

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