Book contents
- The Cambridge Companion to Literature and Food
- The Cambridge Companion to Literature and Food
- Copyright page
- Contents
- Illustrations
- Contributors
- Acknowledgments
- Chronology of Major Works and Events
- Introduction: The Literature of Food
- 1 Medieval Feasts
- 2 The Art of Early Modern Cookery
- 3 The Romantic Revolution in Taste
- 4 The Matter of Early American Taste
- 5 The Culinary Landscape of Victorian Literature
- 6 Modernism and Gastronomy
- 7 Cold War Cooking
- 8 Farm Horror in the Twentieth Century
- 9 Queering the Cookbook
- 10 Guilty Pleasures in Children’s Literature
- 11 Postcolonial Tastes
- 12 Black Power in the Kitchen
- 13 Farmworker Activism
- 14 Digesting Asian America
- 15 Postcolonial Foodways in Contemporary African Literature
- 16 Blogging Food, Performing Gender
- Selected Guide to Further Reading
- Index
- Cambridge Companions to Literature
5 - The Culinary Landscape of Victorian Literature
Published online by Cambridge University Press: 17 March 2020
- The Cambridge Companion to Literature and Food
- The Cambridge Companion to Literature and Food
- Copyright page
- Contents
- Illustrations
- Contributors
- Acknowledgments
- Chronology of Major Works and Events
- Introduction: The Literature of Food
- 1 Medieval Feasts
- 2 The Art of Early Modern Cookery
- 3 The Romantic Revolution in Taste
- 4 The Matter of Early American Taste
- 5 The Culinary Landscape of Victorian Literature
- 6 Modernism and Gastronomy
- 7 Cold War Cooking
- 8 Farm Horror in the Twentieth Century
- 9 Queering the Cookbook
- 10 Guilty Pleasures in Children’s Literature
- 11 Postcolonial Tastes
- 12 Black Power in the Kitchen
- 13 Farmworker Activism
- 14 Digesting Asian America
- 15 Postcolonial Foodways in Contemporary African Literature
- 16 Blogging Food, Performing Gender
- Selected Guide to Further Reading
- Index
- Cambridge Companions to Literature
Summary
In nineteenth-century Britain, a new relationship developed between eating and reading: the cookbook emerged as a commercial form; realist novelists described meals in detail; written menus appeared on dining tables in both the public and domestic spheres. The fashion in dining style also shifted, from service à la Française, in which dishes were all served at once, to service à la Russe, in which meals were served to diners in courses. Dinner had become serialized. As this chapter reminds us, Victorians consumed much of their literature in serial form, and now mealtimes mirrored the apportioned, segregated, and suspenseful qualities of serialized fiction. Because service à la Russe was timed and choreographed by servants, the serialization of the meal played a role in the privatization of social and libidinal life. This chapter also traces nineteenth-century interests in civilized and uncivilized ways of eating, and the crucial role that diet and dining played in political protest. Industrialization had produced an era of grand excess and grisly deficits; when Charles Dickens compared capitalist and cannibal appetites he exposed the end-logic of consumer culture.
Keywords
- Type
- Chapter
- Information
- The Cambridge Companion to Literature and Food , pp. 73 - 87Publisher: Cambridge University PressPrint publication year: 2020
- 3
- Cited by