Ishiguro’s protagonists are notable for their resolution. It is precisely this quality that leads characters such as Ono in An Artist of the Floating World, Stevens in Remains of the Day, Christopher Banks in When We Were Orphans, and Kathy H in Never Let Me Go to make life-defining but ethically dubious decisions. In this sense, irresolution can be seen, paradoxically and not unproblematically, as a key Ishigurian virtue. Indeed, irresolution inheres in Ishiguro’s novels in terms of narrative form as well as ethics and theme: rather than offering epiphany, consolation, redemption, or any final hermeneutic closure or disclosure, the novels are insistent, resolute in their tendency towards thematic, ethical, and structural irresolution. At the same time, however, the desire for resolution is shown to be an understandable one, and to underlie the characters’ efforts to make meaning from the worlds and situations in which they find themselves.