Since the early nineteenth century, critics have noted John Clare’s unusually attentive eye for animals. From his earliest published pieces to the final poems transcribed from manuscripts in Northampton Asylum, Clare’s poetry is packed with animal life. This piece closely reads two sonnets from the middle of his career to investigate the breadth and complexity of his engagement with multiple non-human modes of being. It then turns to a representative range of other examples from his work and touches briefly upon critical analogies drawn between the poet and the non-human creatures about which he writes. The piece focuses repeatedly on the variety in Clare’s representations of animals and the consequent difficulty of drawing singular critical conclusions from them. In the process, it explores tensions in Clare’s poetry between themes of interconnection and alienation, freedom and confinement, profusion and scarcity, resilience and fragility, and exposure and agency.