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5 - Thomas Moore

Published online by Cambridge University Press:  09 November 2017

By
Jeffery Vail
Edited by
Gerald Dawe
Gerald Dawe
Affiliation:
Trinity College, Dublin
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The Cambridge Companion to Irish Poets , pp. 61 - 73
Publisher: Cambridge University Press
Print publication year: 2017

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References

Primary Sources

The Poetical Works of Thomas Moore, Collected by Himself, 10 vols, London: Longmans, 1840–1.Google Scholar
The Poetical Works of Thomas Moore, ed. Godley, A. D., Oxford: Oxford University Press, 1910.Google Scholar
The Letters of Thomas Moore, ed. Dowden, Wilfred S., 2 vols, Oxford: Oxford University Press, 1964.Google Scholar
The Journal of Thomas Moore, ed. Dowden, Wilfred S., 6 vols, Newark: University of Delaware Press, 1983–91.Google Scholar
British Satire 1785–1840, Volume 5: The Satires of Thomas Moore, ed. Moore, Jane, London: Pickering and Chatto, 2003.Google Scholar
Memoirs of Captain Rock, ed. Nolan, Emer, Dublin: Field Day, 2008.Google Scholar
The Unpublished Letters of Thomas Moore, ed. Vail, Jeffery W., 2 vols, London: Pickering and Chatto, 2013.Google Scholar

Secondary Sources

Jones, Howard Mumford. The Harp that Once – : A Chronicle of the Life of Thomas Moore. New York: Henry Holt & Co., 1937.Google Scholar
Jordan, Hoover H. Bolt Upright: The Life of Thomas Moore. 2 vols. Salzburg: Institut für Englische Sprache und Literatur, Universität Salzburg, 1975.Google Scholar
Kelly, Linda. Ireland’s Minstrel: A Life of Tom Moore, Poet, Patriot and Byron’s Friend. New York: I. B. Tauris, 2006.Google Scholar
Kelly, Ronan. Bard of Erin: The Life of Thomas Moore. Dublin: Penguin Ireland, 2008.Google Scholar
Benatti, Francesca, Ryder, Sean and Tonra, Justin, eds. Thomas Moore: Texts, Contexts, Hypertext. Bern: Peter Lang, 2013.Google Scholar
Davis, Leith. Music, Postcolonialism and Gender. Notre Dame: University of Notre Dame Press, 2006.Google Scholar
Leersen, Joep. Remembrance and Imagination: Patterns in the Historical and Literary Representation of Ireland in the Nineteenth Century. Cork: Cork University Press, 1996.Google Scholar
Moore, Jane. ‘Thomas Moore, Anacreon, and the Romantic Tradition’. Romantic Textualities 21 (Winter 2013). www.romtext.org.uk/articles/rt21_n02/Google Scholar
Nolan, Emer. Catholic Emancipations: Irish Fiction from Thomas Moore to James Joyce. Syracuse: Syracuse University Press, 2007.Google Scholar
Vail, Jeffery W. The Literary Relationship of Lord Byron and Thomas Moore, Baltimore: Johns Hopkins UP, 2001.Google Scholar
Vail, Jeffery W. ‘Thomas Moore in Ireland and America: The Growth of a Poet’s Mind’. Romanticism 10.1 (2004), 41–62.Google Scholar
Vail, Jeffery W. ‘The Standard of Revolt: Revolution and National Independence in Moore’s Lalla Rookh’. Romanticism on the Net 40 (2005). www.erudit.org/en/journals/ron/2005-n40-ron1039/012459ar/Google Scholar
Vail, Jeffery W. ‘Thomas Moore: After the Battle’. The Blackwell Companion to Irish Literature. Ed. Wright, Julia M.. 2 vols. New York: Wiley-Blackwell, 2010; vol. 1, 310–25.Google Scholar
White, Harry. Music and the Irish Literary Imagination. Oxford: Oxford University Press, 2008.Google Scholar
Jones, Howard Mumford. The Harp that Once – : A Chronicle of the Life of Thomas Moore. New York: Henry Holt & Co., 1937.Google Scholar
Jordan, Hoover H. Bolt Upright: The Life of Thomas Moore. 2 vols. Salzburg: Institut für Englische Sprache und Literatur, Universität Salzburg, 1975.Google Scholar
Kelly, Linda. Ireland’s Minstrel: A Life of Tom Moore, Poet, Patriot and Byron’s Friend. New York: I. B. Tauris, 2006.Google Scholar
Kelly, Ronan. Bard of Erin: The Life of Thomas Moore. Dublin: Penguin Ireland, 2008.Google Scholar
Benatti, Francesca, Ryder, Sean and Tonra, Justin, eds. Thomas Moore: Texts, Contexts, Hypertext. Bern: Peter Lang, 2013.Google Scholar
Davis, Leith. Music, Postcolonialism and Gender. Notre Dame: University of Notre Dame Press, 2006.Google Scholar
Leersen, Joep. Remembrance and Imagination: Patterns in the Historical and Literary Representation of Ireland in the Nineteenth Century. Cork: Cork University Press, 1996.Google Scholar
Moore, Jane. ‘Thomas Moore, Anacreon, and the Romantic Tradition’. Romantic Textualities 21 (Winter 2013). www.romtext.org.uk/articles/rt21_n02/Google Scholar
Nolan, Emer. Catholic Emancipations: Irish Fiction from Thomas Moore to James Joyce. Syracuse: Syracuse University Press, 2007.Google Scholar
Vail, Jeffery W. The Literary Relationship of Lord Byron and Thomas Moore, Baltimore: Johns Hopkins UP, 2001.Google Scholar
Vail, Jeffery W. ‘Thomas Moore in Ireland and America: The Growth of a Poet’s Mind’. Romanticism 10.1 (2004), 41–62.Google Scholar
Vail, Jeffery W. ‘The Standard of Revolt: Revolution and National Independence in Moore’s Lalla Rookh’. Romanticism on the Net 40 (2005). www.erudit.org/en/journals/ron/2005-n40-ron1039/012459ar/Google Scholar
Vail, Jeffery W. ‘Thomas Moore: After the Battle’. The Blackwell Companion to Irish Literature. Ed. Wright, Julia M.. 2 vols. New York: Wiley-Blackwell, 2010; vol. 1, 310–25.Google Scholar
White, Harry. Music and the Irish Literary Imagination. Oxford: Oxford University Press, 2008.Google Scholar
Jones, Howard Mumford. The Harp that Once – : A Chronicle of the Life of Thomas Moore. New York: Henry Holt & Co., 1937.Google Scholar
Jordan, Hoover H. Bolt Upright: The Life of Thomas Moore. 2 vols. Salzburg: Institut für Englische Sprache und Literatur, Universität Salzburg, 1975.Google Scholar
Kelly, Linda. Ireland’s Minstrel: A Life of Tom Moore, Poet, Patriot and Byron’s Friend. New York: I. B. Tauris, 2006.Google Scholar
Kelly, Ronan. Bard of Erin: The Life of Thomas Moore. Dublin: Penguin Ireland, 2008.Google Scholar
Benatti, Francesca, Ryder, Sean and Tonra, Justin, eds. Thomas Moore: Texts, Contexts, Hypertext. Bern: Peter Lang, 2013.Google Scholar
Davis, Leith. Music, Postcolonialism and Gender. Notre Dame: University of Notre Dame Press, 2006.Google Scholar
Leersen, Joep. Remembrance and Imagination: Patterns in the Historical and Literary Representation of Ireland in the Nineteenth Century. Cork: Cork University Press, 1996.Google Scholar
Moore, Jane. ‘Thomas Moore, Anacreon, and the Romantic Tradition’. Romantic Textualities 21 (Winter 2013). www.romtext.org.uk/articles/rt21_n02/Google Scholar
Nolan, Emer. Catholic Emancipations: Irish Fiction from Thomas Moore to James Joyce. Syracuse: Syracuse University Press, 2007.Google Scholar
Vail, Jeffery W. The Literary Relationship of Lord Byron and Thomas Moore, Baltimore: Johns Hopkins UP, 2001.Google Scholar
Vail, Jeffery W. ‘Thomas Moore in Ireland and America: The Growth of a Poet’s Mind’. Romanticism 10.1 (2004), 41–62.Google Scholar
Vail, Jeffery W. ‘The Standard of Revolt: Revolution and National Independence in Moore’s Lalla Rookh’. Romanticism on the Net 40 (2005). www.erudit.org/en/journals/ron/2005-n40-ron1039/012459ar/Google Scholar
Vail, Jeffery W. ‘Thomas Moore: After the Battle’. The Blackwell Companion to Irish Literature. Ed. Wright, Julia M.. 2 vols. New York: Wiley-Blackwell, 2010; vol. 1, 310–25.Google Scholar
White, Harry. Music and the Irish Literary Imagination. Oxford: Oxford University Press, 2008.Google Scholar

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  • Thomas Moore
  • Edited by Gerald Dawe, Trinity College, Dublin
  • Book: The Cambridge Companion to Irish Poets
  • Online publication: 09 November 2017
  • Chapter DOI: https://doi.org/10.1017/9781108333313.008
Available formats
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Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Thomas Moore
  • Edited by Gerald Dawe, Trinity College, Dublin
  • Book: The Cambridge Companion to Irish Poets
  • Online publication: 09 November 2017
  • Chapter DOI: https://doi.org/10.1017/9781108333313.008
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Thomas Moore
  • Edited by Gerald Dawe, Trinity College, Dublin
  • Book: The Cambridge Companion to Irish Poets
  • Online publication: 09 November 2017
  • Chapter DOI: https://doi.org/10.1017/9781108333313.008
Available formats
×