Book contents
- The Cambridge Companion to Gershwin
- Cambridge Companions to Music
- The Cambridge Companion to Gershwin
- Copyright page
- Contents
- Figures
- Tables
- Music Examples
- Contributors
- Preface
- Acknowledgments
- Part I Historical Context
- Part II Profiles of the Music
- Part III Influence and Reception
- Guide to Further Reading
- Index
Part I - Historical Context
Published online by Cambridge University Press: 02 August 2019
- The Cambridge Companion to Gershwin
- Cambridge Companions to Music
- The Cambridge Companion to Gershwin
- Copyright page
- Contents
- Figures
- Tables
- Music Examples
- Contributors
- Preface
- Acknowledgments
- Part I Historical Context
- Part II Profiles of the Music
- Part III Influence and Reception
- Guide to Further Reading
- Index
Summary
Shortly before the death of his father, George Gershwin told his friend and biographer Isaac Goldberg that the saddest part of knowing that the end was near was the realization “that there is nothing we can do to really help him.” One year later, in the spring of 1933, in accordance with Jewish burial traditions, the Jahrzeit of Morris Gershwin’s death was commemorated with the unveiling of his tombstone at the Westchester Hills Cemetery, a Jewish reform cemetery in Hastings-on-Hudson, New York. Although the Gershwins were not observant Jews, they did participate in certain traditions of their faith.
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- Information
- The Cambridge Companion to Gershwin , pp. 1 - 56Publisher: Cambridge University PressPrint publication year: 2019