Book contents
- The Cambridge Companion to Film Music
- The Cambridge Companion to Film Music
- Copyright page
- Dedication
- Contents
- Figures
- Music Examples
- Tables
- Notes on Contributors
- Acknowledgements
- Introduction
- Part One Making Film Music
- Part Two Approaching Film Music
- Part Three Genre and Idiom
- Part Four Music in World Cinemas
- 17 Leone, Morricone and the Italian Way to Revisionist Westerns
- 18 Music, Noise and Silence in the Late Cinema of Jean-Luc Godard
- 19 Hans Werner Henze and The Lost Honour of Katharina Blum
- 20 Tōru Takemitsu’s Collaborations with Masahiro Shinoda
- 21 Welcome to Kollywood
- Works Cited
- Reference Index of Films and Television Programmes
- General Index
- Cambridge Companions to Music
20 - Tōru Takemitsu’s Collaborations with Masahiro Shinoda
The Music for Pale Flower, Samurai Spy and Ballad of Orin
from Part Four - Music in World Cinemas
Published online by Cambridge University Press: 20 January 2017
- The Cambridge Companion to Film Music
- The Cambridge Companion to Film Music
- Copyright page
- Dedication
- Contents
- Figures
- Music Examples
- Tables
- Notes on Contributors
- Acknowledgements
- Introduction
- Part One Making Film Music
- Part Two Approaching Film Music
- Part Three Genre and Idiom
- Part Four Music in World Cinemas
- 17 Leone, Morricone and the Italian Way to Revisionist Westerns
- 18 Music, Noise and Silence in the Late Cinema of Jean-Luc Godard
- 19 Hans Werner Henze and The Lost Honour of Katharina Blum
- 20 Tōru Takemitsu’s Collaborations with Masahiro Shinoda
- 21 Welcome to Kollywood
- Works Cited
- Reference Index of Films and Television Programmes
- General Index
- Cambridge Companions to Music
Summary
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- The Cambridge Companion to Film Music , pp. 324 - 336Publisher: Cambridge University PressPrint publication year: 2016
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