Book contents
- Frontmatter
- 1 Introduction
- 2 The sixteenth century
- 3 Tudor aesthetics
- 4 Authorship and the material conditions of writing
- 5 Poetry, patronage, and the court
- 6 Religious writing
- 7 Dramatic experiments
- 8 Dramatic achievements
- 9 Lyric forms
- 10 Narrative, romance, and epic
- 11 The evolution of Tudor satire
- 12 Chronicles of private life
- 13 Popular culture in print
- 14 Rewriting the world, rewriting the body
- 15 Writing empire and nation
- Index
13 - Popular culture in print
Published online by Cambridge University Press: 28 May 2006
- Frontmatter
- 1 Introduction
- 2 The sixteenth century
- 3 Tudor aesthetics
- 4 Authorship and the material conditions of writing
- 5 Poetry, patronage, and the court
- 6 Religious writing
- 7 Dramatic experiments
- 8 Dramatic achievements
- 9 Lyric forms
- 10 Narrative, romance, and epic
- 11 The evolution of Tudor satire
- 12 Chronicles of private life
- 13 Popular culture in print
- 14 Rewriting the world, rewriting the body
- 15 Writing empire and nation
- Index
Summary
In A Discourse of English Poetry, 1586, William Webbe claims that the need for such a text, designed to aid readers in identifying a native poetic tradition, emerges out of the explosive proliferation of printed works and the problems they pose for exercising judgment. 'Among the innumerable sorts of English books, and infinite fardels of printed pamphlets, wherewith this country is pestered, all shops stuffed, and every study furnished, the greatest part I think . . . are such as . . . tend in some respect . . . to poetry . . . If I write something concerning what I think of our English poets, or adventure to set down my simple judgement of English poetry, I trust the learned poets will give me leave, and vouchsafe my book passage . . . to stir up some other of meet ability to bestow [travail] in this matter: whereby I think we may not only get the means, which we yet want, to discern between good writers and bad, but perhaps also challenge from the rude multitude of rustical rhymers, who will be called poets, the right practice and orderly course of true poetry.'
- Type
- Chapter
- Information
- The Cambridge Companion to English Literature, 1500–1600 , pp. 265 - 286Publisher: Cambridge University PressPrint publication year: 1999