Book contents
- Frontmatter
- 1 Introduction
- 2 Albee’s early one-act plays
- 3 Who’s Afraid of Virginia Woolf?
- 4 “Withered age and stale custom”
- 5 Albee’s 3½
- 6 Albee’s threnodies
- 7 Minding the play
- 8 Albee’s monster children
- 9 “Better alert than numb”
- 10 Albee stages Marriage Play
- 11 “Playing the cloud circuit”
- 12 Albee’s The Goat
- 13 “Words; words... They’re such a pleasure.” (An Afterword)
- 14 Borrowed time
- Notes on further reading
- Select bibliography
- Index
- Series List
10 - Albee stages Marriage Play
Cascading action, audience taste, and dramatic paradox
Published online by Cambridge University Press: 28 May 2006
- Frontmatter
- 1 Introduction
- 2 Albee’s early one-act plays
- 3 Who’s Afraid of Virginia Woolf?
- 4 “Withered age and stale custom”
- 5 Albee’s 3½
- 6 Albee’s threnodies
- 7 Minding the play
- 8 Albee’s monster children
- 9 “Better alert than numb”
- 10 Albee stages Marriage Play
- 11 “Playing the cloud circuit”
- 12 Albee’s The Goat
- 13 “Words; words... They’re such a pleasure.” (An Afterword)
- 14 Borrowed time
- Notes on further reading
- Select bibliography
- Index
- Series List
Summary
For over four decades now, Edward Albee has closely supervised or directed professional productions of nearly all his own plays. Among his many directing credits, he was responsible for the Broadway premieres of The American Dream (1968), Seascape (1975), and The Man Who Had Three Arms (1983), and the Broadway revival of Who's Afraid of Virginia Woolf? (1976). He also staged the world premieres of Listening (1977) at the Hartford Stage Company, Marriage Play (1987) and Three Tall Women (1991) at the English Theatre in Vienna, and Fragments: A Sit-Around (1993) at the Ensemble Theatre of Cincinnati. In addition, he directed the American premieres of Counting the Ways (1977) at the Hartford Stage Company and Marriage Play at the Alley Theatre (1992) and the New York premiere of Finding the Sun (1993) at the Signature Theatre Company. For several seasons, moreover, he served as an associate director at the Tony award-winning Alley Theatre of Houston, where, in addition to staging several of his own plays, he directed Samuel Beckett's Happy Days, Ohio Impromptu, and Krapp's Last Tape. He has also directed plays by other fellow dramatists including Lanford Wilson, Sam Shepard, and David Mamet.
- Type
- Chapter
- Information
- The Cambridge Companion to Edward Albee , pp. 164 - 177Publisher: Cambridge University PressPrint publication year: 2005