Crossref Citations
This Book has been
cited by the following publications. This list is generated based on data provided by Crossref.
Schöpp, Joseph C.
Reinhart, Werner
Tonn, Horst
Mayer, Kurt A.
Müller, Wolfgang G.
Opfermann, Susanne
Porsche, Michael
Hollweg, Brenda
Pianos, Tamara
Reichardt, Ulfried
Nünning, Ansgar
Ensslen, Klaus
Nestvold, Ruth
Berkemeier, Christian
Binder, Wolfgang
Zapf, Harald
Halfmann, Ulrich
Herget, Winfried
Hurm, Gerd
Moss, Maria
Person, Jutta
Zimmermann, Jutta
Bach, Gerhard
von Finck, Diana
Claviez, Thomas
Kalb, Kristina
Heide, Markus
Leypoldt, Günter
Scheiding, Oliver
Hebel, Udo
Klepper, Martin
Grandel, Hartmut
Mayer, Sylvia
Leitner-Rudolph, Miryam
Koenen, Anne
Kelleter, Frank
Requardt, Nadine
Hölbling, Walter
Fischer, Katrin
Schäfer-Wünsche, Elisabeth
Keitel, Evelyne
Fluck, Winfried
Breinig, Helmbrecht
Werner, Florian
Salheiser, Britta
Grewe-Volpp, Christa
Brenner, Wolfgang
Reinicke, Gesine
Bischoff, Volker
Ernst, Jutta
Georgi-Findlay, Brigitte
Wegener, Cornelia
Sielke, Sabine
Müller, Kurt
Schmidt, Klaus H.
Lührmann, Silke
Schulz, Dieter
Lutz, Hartmut
Smolinski, Reiner
Roth, Yvonne
Ickstadt, Heinz
Lemke, Sieglinde
Sichert, Margit
Mitchell, Tanja
Hinz, Kristina
Engler, Bernd
Taumann, Beatrix
Steinert, Ilka
Schwank, Klaus
Groß, Konrad
Colavincenzo, Marc
Braun, Hartmut
Scholz, Anne-Marie
Paul, Heike
Guillemin, Georg
Gersdorf, Cathrin
Freese, Peter
Zacharasiewicz, Waldemar
Fleischmann, Brigitte
Ghosh-Schellhorn, Martina
Hüppe, Barbara
Hof, Renate
Kanzler, Katja
Pehnt, Annette
Tranker, Brigitte
Heuser, Sabine
Wieselhuber, Franz
Lönnecke, Annette
Draxlbauer, Michael
Surkamp, Carola
and
Thurner, Bettina
2000.
Metzler Lexikon Amerikanischer Autoren.
p.
1.
Walton, Priscilla L.
2007.
Palgrave Advances in Henry James Studies.
p.
80.
Campbell, Donna M.
2010.
The Encyclopedia of Twentieth‐Century Fiction.
2011.
Reading the American Novel 1865–1914.
p.
387.
Lutes, Jean M.
2012.
The Cambridge History of American Women's Literature.
p.
422.
Knights, Pamela
2012.
The Cambridge Companion to American Novelists.
p.
61.
Califano, Sharon Kehl
2012.
Edith Wharton in Context.
p.
52.
2013.
Reading the American Novel 1920‐2010.
p.
39.
Bex, Sean
2016.
Marketing Professionalism: The Transatlantic Authorship of Edith Wharton.
Neophilologus,
Vol. 100,
Issue. 3,
p.
503.
Chaleila, Wisam
and
Colatrella, Carol
2019.
The collapse of the American upper-class collective identity: Capitalism and thenouveaux richesin Edith Wharton’sThe House of Mirth.
Cogent Arts & Humanities,
Vol. 6,
Issue. 1,
p.
1594515.
Vainshtein, Olga
2020.
“We Are Expected to Be Pretty and Well-Dressed Till We Drop”: Fashion and “Passing” in the Novels of Edith Wharton.
Fashion Theory,
Vol. 24,
Issue. 4,
p.
499.
Asya, Ferdâ
2021.
Teaching Edith Wharton’s Major Novels and Short Fiction.
p.
1.
Smith, Valerie
2024.
Edith Wharton’s Position on the Real in
A Motor-Flight Through France:
Arthur Schopenhauer and Aesthetic-Sublime Contemplation
.
English Studies,
Vol. 105,
Issue. 1,
p.
70.
Zeng, Hong
2024.
The Cult of the Apollonian and the Dionysian in Ancient Greek Religion as Reflected in Edith Wharton’s Novels.
Religions,
Vol. 15,
Issue. 11,
p.
1319.