Book contents
- The Cambridge Companion to Composition
- Cambridge Companions to Music
- The Cambridge Companion to Composition
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Music Examples
- Contributors
- Introduction
- Part I Creative Processes
- 1 Inspiration
- 2 From Space to Sound
- 3 Ex Uno Plures
- 4 Instruments and Invention
- 5 Uncovered Grave
- Part II Techniques
- Part III Styles, Conventions, and Issues
- Part IV Building a Career
- Further Reading
- Index
1 - Inspiration
from Part I - Creative Processes
Published online by Cambridge University Press: 25 May 2024
- The Cambridge Companion to Composition
- Cambridge Companions to Music
- The Cambridge Companion to Composition
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Music Examples
- Contributors
- Introduction
- Part I Creative Processes
- 1 Inspiration
- 2 From Space to Sound
- 3 Ex Uno Plures
- 4 Instruments and Invention
- 5 Uncovered Grave
- Part II Techniques
- Part III Styles, Conventions, and Issues
- Part IV Building a Career
- Further Reading
- Index
Summary
This chapter discusses the elusive meaning of ‘inspiration’, and considers what it might feel like, the situations where it might occur, and how to harness and understand it when it does. It finally explores the idea of ‘happy accidents’ and thinks about the relationship between habit and practice as active methods of inspiration in contrast to the more passive Romantic notion of divine intervention.
- Type
- Chapter
- Information
- The Cambridge Companion to Composition , pp. 25 - 31Publisher: Cambridge University PressPrint publication year: 2024