Book contents
- The Cambridge Companion to Composition
- Cambridge Companions to Music
- The Cambridge Companion to Composition
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Music Examples
- Contributors
- Introduction
- Part I Creative Processes
- Part II Techniques
- 6 Composing for Ensemble
- 7 Composing for Orchestra
- 8 Composing for Voice
- 9 Composing for Choir
- 10 Composing for the Stage
- 11 Composing for the Screen
- Part III Styles, Conventions, and Issues
- Part IV Building a Career
- Further Reading
- Index
11 - Composing for the Screen
from Part II - Techniques
Published online by Cambridge University Press: 25 May 2024
- The Cambridge Companion to Composition
- Cambridge Companions to Music
- The Cambridge Companion to Composition
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Music Examples
- Contributors
- Introduction
- Part I Creative Processes
- Part II Techniques
- 6 Composing for Ensemble
- 7 Composing for Orchestra
- 8 Composing for Voice
- 9 Composing for Choir
- 10 Composing for the Stage
- 11 Composing for the Screen
- Part III Styles, Conventions, and Issues
- Part IV Building a Career
- Further Reading
- Index
Summary
This chapter examines ways of working as a composer for screen, explaining every step of the process – from reading through a script or treatment to the final recordings and edits – and offers advice on how to approach collaboration and networking in the film industry.
- Type
- Chapter
- Information
- The Cambridge Companion to Composition , pp. 164 - 174Publisher: Cambridge University PressPrint publication year: 2024