Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-jn8rn Total loading time: 0 Render date: 2024-12-24T12:52:03.277Z Has data issue: false hasContentIssue false

Introduction

Bridging Gaps

Published online by Cambridge University Press:  17 August 2023

Maaheen Ahmed
Affiliation:
Universiteit Gent, Belgium
Get access

Summary

The introduction offers an overview of recent scholarly discourse and approaches to comics and graphic novels. It provides brief close readings of panels from Rodolphe Töpffer’s L’Histoire d’Albert, the anonymous comic strip, Lucy and Sophie Say Good Bye, George Herriman’s Krazy Kat, Chris Ware’s Jimmy Corrigan, and Emil Ferris’ My Favorite Thing is Monsters, which apply comics methodologies of reading language (Hannah Miodrag) and analyzing graphic novels (Jan Baetens and Hugo Frey), among others. To further highlight the scope of comics analyses across the variety of forms of the medium, the introduction discusses the comics in the light of Rita Felski’s concepts of knowledge and enchantment.

The introduction ends with an overview of the Companion’s seventeen chapters, from the first part on Forms, to the second one on Readings, and ending with Uses.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Anonymous. “Lucy and Sophie Say Good Bye”, Chicago Tribune, 7 May 1905.Google Scholar
de Nantua, Simon (Rodolphe Töpffer). Histoire d’Albert, 1845.Google Scholar
Ferris, Emil. My Favorite Thing Is Monsters, vol. 1. Fantagraphics, 2017.Google Scholar
Herriman, George. Krazy Kat, 24 September 1922.Google Scholar
Ware, Chris. Jimmy Corrigan: The Smartest Kid on Earth. Pantheon, 2000.Google Scholar

Secondary Sources

Baetens, Jan and Frey, Hugo. The Graphic Novel: An Introduction. Cambridge University Press, 2014.CrossRefGoogle Scholar
Beaty, Bart. Comics Versus Art. University of Toronto Press, 2012.Google Scholar
Burt, Stephanie. “Why Not More Comics?PMLA, vol. 134, no. 3, 2019, pp. 572578.Google Scholar
Chute, Hillary L. Disaster Drawn: Visual Witness, Comics and Documentary Form. Harvard University Press, 2016.Google Scholar
Davis, Blair. Movie Comics: Page to Screen/Screen to Page. Rutgers University Press, 2017.Google Scholar
Delany, Samuel L.Politics of Paraliterary Criticism.” Shorter Views: Queer Thoughts and the Politics of the Paraliterary. Wesleyan University Press, 1999, pp. 218270.Google Scholar
Felski, Rita. The Uses of Literature. Wiley-Blackwell, 2008.CrossRefGoogle Scholar
Fresnault-Deruelle, Pierre. “From Linear to Tabular (1976).” French Comics Theory Reader. Translated by Ann Miller and Bart Beaty. Leuven University Press, 2014, pp. 121138.Google Scholar
Gabilliet, Jean-Paul. Of Comics and Men: A Cultural History of American Comic Books. Translated by Bart Beaty and Nick Nguyen. University Press of Mississippi, 2010.Google Scholar
Gardner, Jared. Projections: Comics and the History of Twenty-first-century Storytelling. Stanford University Press, 2012.Google Scholar
Gardner, Jared. “A Nice Neighborhood.” PMLA, vol. 134, no. 3, 2019, pp. 595600.Google Scholar
Genette, Gérard. The Architext: An Introduction. Translated by Jane E. Lewin. University of California Press, 1992.Google Scholar
Genette, Gérard. Palimpsests: Literature in the Second Degree. Translated by Channa Newman and Claude Doubinsky. University of Nebraska Press, 1997.Google Scholar
Grennan, Simon. A Theory of Narrative Drawing. Palgrave Macmillan, 2017.CrossRefGoogle Scholar
Groensteen, Thierry. The System of Comics. Translated by Bart Beaty and Nick Nguyen. University Press of Mississippi, 2009.Google Scholar
Hatfield, Charles. Alternative Comics: An Emerging Literature. University Press of Mississippi, 2005.Google Scholar
Heer, Jeet and Worcester, Kent. Arguing Comics: Literary Masters on a Popular Medium. University Press of Mississippi, 2004.Google Scholar
Karasik, Paul and Newgarden, Mark. How to Read Nancy: The Elements of Comics in Three Easy Panels. Fantagraphics Books, 2017.Google Scholar
Køhlert, Frederik Byrn. Serial Selves: Identity and Representation in Autobiographical Comics. Rutgers University Press, 2019.Google Scholar
Kunzle, David. Father of the Comic Strip: Rodolphe Töpffer. University Press of Mississippi, 2007.Google Scholar
McCloud, Scott. Understanding Comics: The Invisible Art. Kitchen Sink Press, 1993.Google Scholar
McGurk, Caitlin. “Lovers, Enemies, Friends: The Complex and Coded Early History of Lesbian Comics Characters.” Journal of Lesbian Studies, vol. 22, no. 4, 2018, pp. 336353Google Scholar
Mikkonen, Kai. The Narratology of Comic Art. Routledge, 2017.CrossRefGoogle Scholar
Miodrag, Hannah. Comics and Language: Reimagining Critical Discourse on the Form. University Press of Mississippi, 2013.CrossRefGoogle Scholar
Mitchell, W. J. T. Picture Theory: Essays on Verbal and Visual Representation. University of Chicago Press, 1994.Google Scholar
Pizzino, Christopher. Arresting Development: Comics at the Boundaries of Literature. University of Texas Press, 2016.Google Scholar
Sabin, Roger. Adult Comics: An Introduction. Routledge, 1993.Google Scholar
Seldes, Gilbert. The Seven Lively Arts. 1924. http://xroads.virginia.edu/~Hyper/SELDES/seldes.html Accessed 3 August 2022.Google Scholar
Smolderen, Thierry. The Origins of Comics: From William Hogarth to Winsor McCay. 2000. Translated by Bart Beaty and Nick Nguyen. University Press of Mississippi, 2014.CrossRefGoogle Scholar
Spiegelman, Art and Kidd, Chipp. Jack Cole and Plastic Man: Forms Stretched to their Limits. Chronicle Books, 2001.Google Scholar
Wanzo, Rebecca. The Content of Our Caricature: African American Comic Art and Political Belonging. NYU Press, 2020.CrossRefGoogle Scholar
Whitlock, Gillian. “Autographics. The Seeing ‘I’ of Comics.” Modern Fiction Studies, vol. 52, no. 4, 2006, pp. 965979.CrossRefGoogle Scholar
Woo, Benjamin. “The Android’s Dungeon: Comic-Bookstores, Cultural Spaces, and the Social Practices of Audiences.” Journal of Graphic Novels & Comics, vol. 2, no. 2, 2011, pp. 125136. doi.org/10.1080/21504857.2011.602699CrossRefGoogle Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Introduction
  • Edited by Maaheen Ahmed, Universiteit Gent, Belgium
  • Book: The Cambridge Companion to Comics
  • Online publication: 17 August 2023
  • Chapter DOI: https://doi.org/10.1017/9781009255653.002
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Introduction
  • Edited by Maaheen Ahmed, Universiteit Gent, Belgium
  • Book: The Cambridge Companion to Comics
  • Online publication: 17 August 2023
  • Chapter DOI: https://doi.org/10.1017/9781009255653.002
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Introduction
  • Edited by Maaheen Ahmed, Universiteit Gent, Belgium
  • Book: The Cambridge Companion to Comics
  • Online publication: 17 August 2023
  • Chapter DOI: https://doi.org/10.1017/9781009255653.002
Available formats
×