Book contents
- Frontmatter
- Preface
- 1 The life and times of Charles Dickens
- 2 From Sketches to Nickleby
- 3 The middle novels
- 4 Moments of decision in Bleak House
- 5 Novels of the 1850s
- 6 The late novels
- 7 Fictions of childhood
- 8 Fictions of the city
- 9 Gender, family, and domestic ideology
- 10 Dickens and language
- 11 Dickens and the form of the novel
- 12 Dickens and illustration
- 13 Dickens and theatre
- 14 Dickens and film
- Selected bibliography
- Index
- Series list
2 - From Sketches to Nickleby
Published online by Cambridge University Press: 28 May 2006
- Frontmatter
- Preface
- 1 The life and times of Charles Dickens
- 2 From Sketches to Nickleby
- 3 The middle novels
- 4 Moments of decision in Bleak House
- 5 Novels of the 1850s
- 6 The late novels
- 7 Fictions of childhood
- 8 Fictions of the city
- 9 Gender, family, and domestic ideology
- 10 Dickens and language
- 11 Dickens and the form of the novel
- 12 Dickens and illustration
- 13 Dickens and theatre
- 14 Dickens and film
- Selected bibliography
- Index
- Series list
Summary
In 1847 Dickens was a world-famous author raking in profits from serial novels and Christmas books. At that time he wrote several versions of his earlier life, attempting to explain to himself and his vast public how he had transformed himself from an ill-educated boy sent to work at the age of twelve in a shoe-blacking factory into the toast of European letters. The inauguration of a cheap edition of his novels provided an opportunity to write new prefaces accounting for each work’s origin. For Pickwick Papers, his second title (1836-37) and first novel, he disclosed the beginning of his vocation as writer. William Hall, formerly a bookseller and in 1836 the partner of Edward Chapman in a modest publishing firm, arrived at Dickens’s rooms in Furnival’s Inn on 10 February 1836 with a proposal for the young author, known for his street sketches and tales published under the pseudonym “Boz.” It was to supply letterpress accompanying etched illustrations by the comic artist Robert Seymour, some of which had already been prepared to illustrate the story Seymour had in mind.
In Hall, Dickens reported, he recognized
the person from whose hands I had bought, two or three years previously … my first copy of the [Monthly Magazine] in which my first effusion – dropped stealthily one evening at twilight, with fear and trembling, into a dark letter-box, in a dark office, up a dark court [Johnson’s Court] in Fleet Street – appeared in all the glory of print; on which occasion by-the-bye – how well I recollect it! – I walked down to Westminster Hall, and turned into it for half-an- hour, because my eyes were so dimmed with joy and pride, that they could not bear the street, and were not fit to be seen there. I told my visitor of the coincidence, which we both hailed as a good omen; and so fell to business.
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- Information
- The Cambridge Companion to Charles Dickens , pp. 16 - 33Publisher: Cambridge University PressPrint publication year: 2001
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