Book contents
- The Cambridge Companion to British Romanticism and Religion
- The Cambridge Companion to British Romanticism and Religion
- Copyright page
- Contents
- Illustrations
- Contributors
- Acknowledgments
- Chapter 1 Introduction
- Part I Historical Developments
- Part II Literary Forms
- Part III Disciplinary Connections
- Index
- Cambridge Companions To …
- References
Part III - Disciplinary Connections
Published online by Cambridge University Press: 01 October 2021
Book contents
- The Cambridge Companion to British Romanticism and Religion
- The Cambridge Companion to British Romanticism and Religion
- Copyright page
- Contents
- Illustrations
- Contributors
- Acknowledgments
- Chapter 1 Introduction
- Part I Historical Developments
- Part II Literary Forms
- Part III Disciplinary Connections
- Index
- Cambridge Companions To …
- References
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- The Cambridge Companion to British Romanticism and Religion , pp. 235 - 330Publisher: Cambridge University PressPrint publication year: 2021
References
Select Bibliography
Harris, James A., ed. The Oxford Handbook of British Philosophy in the Eighteenth Century. Oxford, 2013.Google Scholar
Hedley, Douglas. Coleridge, Philosophy, and Religion: “Aids to Reflection” and the Mirror of the Spirit. Cambridge, 2000.CrossRefGoogle Scholar
Mander, William, ed. The Oxford Handbook of British Philosophy in the Nineteenth Century. Oxford, 2014.CrossRefGoogle Scholar
Wharton, Joanna. Material Enlightenment: Women Writers and the Science of Mind, 1770–1830. Woodbridge, 2018.Google Scholar
Select Bibliography
Fairclough, Mary. Literature, Electricity and Politics 1740–1840: “Electrick Communication Every Where.” Basingstoke, 2017.Google Scholar
Golinski, Jan. The Experimental Self: Humphry Davy and the Making of a Man of Science. Chicago, IL, 2016.Google Scholar
Priestman, Martin. Romantic Atheism: Poetry and Freethought, 1780–1830. Cambridge, 2000.Google Scholar
Ruston, Sharon. Creating Romanticism: Case Studies in the Literature, Science and Medicine of the 1790s. Basingstoke, 2013.Google Scholar
Wharton, Joanna. Material Enlightenment: Woman Writers and the Science of Mind, 1770–1830. Woodbridge, 2018.Google Scholar
Select Bibliography
Fulford, Tim. “Catholicism and polytheism: Britain’s colonies and Coleridge’s politics.” Romanticism 5 (2010), 232–53.Google Scholar
McCarthy, William. Anna Letitia Barbauld: Voice of the Enlightenment. Baltimore, MD, 2008.Google Scholar
Mee, Jon. Romanticism, Enthusiasm, and Regulation: Poetics and the Policing of Culture in the Romantic Period. Oxford, 2005.Google Scholar
Select Bibliography
Boyles, Helen. Romanticism and Methodism: The Problem of Religious Enthusiasm. Abingdon, 2017.Google Scholar
Clarke, Martin V. British Methodist Hymnody: Theology, Heritage, and Experience. Abingdon, 2018.Google Scholar
Irving, Howard. Ancients and Moderns: William Crotch and the Development of Classical Music. Aldershot, 1999.Google Scholar
Zon, Bennett. Representing Non-Western Music in Nineteenth-Century Britain. Rochester, 2007.Google Scholar
Select Bibliography
Ardill, Thomas. Between God, Art and Mammon: Religious Painting as a Public Spectacle in Britain, c. 1800–1832. PhD diss., Courtauld Institute, 2016.Google Scholar
Gregory, Jeremy. “Anglicanism and the arts: Religion, culture and politics in the eighteenth century,” in Culture, Politics and Society in Britain, 1660–1800, ed. Jeremy, Black and Jeremy, Gregory, 82–109. Manchester, 1991.Google Scholar
Haynes, Clare. “Anglicanism and art,” in The Oxford History of Anglicanism, Volume II: Establishment and Empire, 1662–1829, ed. Gregory, Jeremy, 371–91. Oxford, 2017.Google Scholar