Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-78c5997874-t5tsf Total loading time: 0 Render date: 2024-11-19T10:55:45.751Z Has data issue: false hasContentIssue false

Guide to Further Reading

Published online by Cambridge University Press:  05 August 2015

Edited by
Guyda Armstrong ,
Rhiannon Daniels  and
Stephen J. Milner
Guyda Armstrong
Affiliation:
University of Manchester
Rhiannon Daniels
Affiliation:
University of Bristol
Stephen J. Milner
Affiliation:
University of Manchester
Get access

Summary

A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
The Cambridge Companion to Boccaccio , pp. 235 - 242
Publisher: Cambridge University Press
Print publication year: 2015

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Guido, Almansi, The Writer as Liar: Narrative Techniques in the ‘Decameron’ (London: Routledge, 1975)Google Scholar
Guyda, Armstrong, The English Boccaccio: A History in Books (Toronto: University of Toronto Press, 2013)Google Scholar
Bergin, Thomas, Boccaccio (New York: Viking, 1981)Google Scholar
Branca, Vittore, Boccaccio: The Man and his Works, trans. by Monges, Richard and McAuliffe, Dennis J. (New York: New York University Press, 1976)Google Scholar
Cervigni, Dino S., ed., Boccaccio's ‘Decameron’: Rewriting the Christian Middle Ages, Annali d'Italianistica, 31 (2013)Google Scholar
Ciabattoni, Francesco and Forni, Pier Massimo, The Decameron Third Day in Perspective (Toronto: University of Toronto Press, 2014)CrossRefGoogle Scholar
Cottino-Jones, Marga, Order from Chaos: Social and Aesthetic Harmonies in Boccaccio's ‘Decameron’ (Washington, DC: University Press of America, 1982)Google Scholar
Daniels, Rhiannon, Boccaccio and the Book: Production and Reading in Italy 1340–1520 (London: Legenda, 2009)Google Scholar
Dombroski, Robert S., ed., Critical Perspectives on the ‘Decameron’ (London: Hodder and Stoughton, 1976)Google Scholar
Eisner, Martin, Boccaccio and the Invention of Italian Literature: Dante, Petrarch, Cavalcanti, and the Authority of the Vernacular (Cambridge: Cambridge University Press, 2013)CrossRefGoogle Scholar
Forni, Pier Massimo, Adventures in Speech: Rhetoric and Narration in Boccaccio's ‘Decameron’ (Philadelphia: University of Pennsylvania Press, 1996)CrossRefGoogle Scholar
Gittes, Tobias Foster, Boccaccio's Naked Muse: Eros, Culture, and the Mythopoeic Imagination (Toronto: University of Toronto Press, 2008)CrossRefGoogle Scholar
Hollander, Robert, Boccaccio's Two Venuses (New York: Columbia University Press, 1977)Google Scholar
Hollander, Robert Boccaccio's Last Fiction: ‘Il Corbaccio’ (Philadelphia: University of Pennsylvania Press, 1988)CrossRefGoogle Scholar
Hollander, Robert Boccaccio's Dante and the Shaping Force of Satire (Ann Arbor: University of Michigan Press, 1997)CrossRefGoogle Scholar
Kirkham, Victoria, The Sign of Reason in Boccaccio's Fiction (Florence: Leo S. Olschki, 1993)Google Scholar
Kirkham, Victoria Fabulous Vernacular: Boccaccio's ‘Filocolo’ and the Art of Medieval Fiction (Ann Arbor: University of Michigan Press, 2001)CrossRefGoogle Scholar
Victoria, Kirkham, Sherberg, Michael, and Smarr, Janet Levarie, eds, Boccaccio: A Critical Guide to the Complete Works (Chicago: University of Chicago Press, 2013)Google Scholar
Marcus, Millicent Joy, An Allegory of Form: Literary Self-Consciousness in the ‘Decameron’ (Saratoga: Anma Libri, 1979)Google Scholar
Giuseppe, Mazzotta, The World at Play in Boccaccio's ‘Decameron’ (Princeton: Princeton University Press, 1986)Google Scholar
McGregor, James H., ed., Approaches to Teaching Boccaccio's ‘Decameron’ (New York: Modern Language Association of America, 2000)Google Scholar
Migiel, Marilyn, A Rhetoric of the ‘Decameron’ (Toronto: University of Toronto Press, 2003)CrossRefGoogle Scholar
Ó Cuilleanáin, Cormac, Religion and the Clergy in Boccaccio's ‘Decameron’ (Rome: Edizioni di storia e letteratura, 1984)Google Scholar
Potter, Joy Hambuechen, Five Frames for the ‘Decameron’: Communication and Social Systems in the ‘cornice’ (Princeton: Princeton University Press, 1982)CrossRefGoogle Scholar
Sherberg, Michael, The Governance of Friendship: Law and Gender in the ‘Decameron’ (Columbus: Ohio State University Press, 2011)Google Scholar
Smarr, Janet Levarie, Boccaccio and Fiammetta: The Narrator as Lover (Urbana: University of Illinois Press, 1986)Google Scholar
Stone, Gregory B., The Ethics of Nature in the Middle Ages: On Boccaccio's Poetaphysics (New York: St. Martin's Press, 1998)Google Scholar
Usher, Jonathan, ‘Boccaccio's “Ars morendi” in the Decameron’, Modern Language Review, 81.3 (1986), 621–32Google Scholar
Usher, Jonathan ‘Boccaccio on Readers and Reading’, Heliotropia, 1.1 (2003) http://www.heliotropia.orgGoogle Scholar
Usher, Jonathan ‘Monuments More Enduring than Bronze: Boccaccio and Paper Inscriptions’, Heliotropia, 4.1 (2007) http://www.heliotropia.orgGoogle Scholar
Usher, Jonathan ‘“Sesto fra cotanto senno” and Appetentia primi loci: Boccaccio, Petrarch and Dante's Poetic Hierarchy’, Studi sul Boccaccio, 35 (2007), 157–98Google Scholar
Wallace, David, Giovanni Boccaccio: Decameron (Cambridge: Cambridge University Press, 1991)CrossRefGoogle Scholar
Weaver, Elissa B., ed., The ‘Decameron’ First Day in Perspective (Toronto: University of Toronto Press, 2004)CrossRefGoogle Scholar

Secondary Sources

Battaglia Ricci, Lucia, Boccaccio (Rome: Salerno, 2000)Google Scholar
Bragantini, Renzo, and Forni, Pier Massimo, eds, Lessico critico decameroniano (Turin: Bollati Boringhieri, 1995)Google Scholar
Branca, Vittore, Boccaccio medievale e nuovi studi sul ‘Decameron’, 4th edn (Milan: BUR Rizzoli, 2010)Google Scholar
Bruni, Francesco, Boccaccio: l'invenzione della letteratura mezzana (Bologna: Il Mulino, 1990)Google Scholar
Bruno Pagnamenta, Roberta, Il ‘Decameron’: l'ambiguità come strategia narrativa (Ravenna: Longo, 1999)Google Scholar
Cardini, Franco, Le cento novelle contro la morte: Giovanni Boccaccio e la rifondazione cavalleresca del mondo (Rome: Salerno, 2007)Google Scholar
De Robertis, Teresa, Monti, Carla Maria, Petoletti, Marco, Tanturli, Giuliano, and Zamponi, Stefano, eds, Boccaccio autore e copista (Florence: Mandragora, 2013)Google Scholar
Fido, Franco, Il regime delle simmetrie imperfette (Milan: Franco Angeli, 1988)Google Scholar
Getto, Giovanni, Vita di forme e forme di vita nel ‘Decameron’ (Turin: Petrini, 1986)Google Scholar
Marchesi, Simone, Stratigrafie decameroniane (Florence: Olschki, 2004)Google Scholar
Natali, Giulia, Boccaccio e le controfigure dell'autore (L'Aquila: Japadre, 1991)Google Scholar
Quondam, Amedeo, Fiorilla, Maurizio, and Alfano, Giancarlo (eds), Giovanni Boccaccio: ‘Decameron’ (Milan: BUR Rizzoli, 2013)Google Scholar
Surdich, Luigi, Boccaccio (Rome: Laterza, 2001)Google Scholar
Alexander, J. G., Medieval Illuminators and their Methods of Work (New Haven: Yale University Press, 1992)Google Scholar
Bertolo, Fabio M., Cherubini, Paolo, Inglese, Giorgio, and Miglio, Luisa, Breve storia della scrittura e del libro (Roma: Carocci, 2005)Google Scholar
Brown, Michelle P., A Guide to Western Historical Scripts from Antiquity to 1600 (Toronto: University of Toronto Press, 1993)Google Scholar
Cerquiglini, Bernard, In Praise of the Variant: A Critical History of Philology, trans. by Wing, Betsy (Baltimore: Johns Hopkins University Press, 1999)Google Scholar
Clemens, Raymond and Graham, Terry, Introduction to Manuscript Studies (Ithaca, NY: Cornell University Press, 2007)Google Scholar
Copeland, Rita and Sluiter, Ineke, eds, Medieval Grammar and Rhetoric: Language Arts and Literary Theory, AD 300–1475 (Oxford: Oxford University Press, 2009)Google Scholar
Cursi, Marco, Il ‘Decameron’: scritture, scriventi, lettori. Storia di un testo (Rome: Viella, 2007)Google Scholar
Cursi, Marco La scrittura e i libri di Giovanni Boccaccio (Rome: Viella, 2013)Google Scholar
De la Mare, Albinia C., The Handwriting of Italian Humanists (London: Oxford University Press, 1973)Google Scholar
De Hamel, Christopher, Scribes and Illuminators (Toronto: Toronto University Press, 1992)Google Scholar
Lubac, Henri de, Medieval Exegesis: The Four Senses of Scripture, 3 vols (Grand Rapids, MI: Eerdmans, 1998–2001)Google Scholar
Mehtonen, Päivi, Old Concepts and New Poetics: ‘Historia’, ‘Argumentum’, and ‘Fabula’ in the Twelfth- and Early Thirteenth-Century Latin Poetics of Fiction (Helsinki: Societas Scientiarum Fennica, 1996)Google Scholar
Minnis, Alastair, Medieval Theory of Authorship: Scholastic Literary Attitudes in the Later Middle Ages, 2nd edn (Philadelphia: University of Pennsylvania Press, 2010)CrossRefGoogle Scholar
Minnis, A. J., and Scott, A. B., with Wallace, David, eds, Medieval Literary Theory and Criticism c. 1100–c.1375, 2nd edn (Oxford: Clarendon Press, 1991)CrossRefGoogle Scholar
Petrucci, Armando, Writers and Readers in Medieval Italy: Studies in the History of Written Culture, trans. by Radding, C. M. (New Haven: Yale University Press, 1995)Google Scholar
Richardson, Brian, Printing, Writers and Readers in Renaissance Italy (Cambridge: Cambridge University Press, 1999)Google Scholar
Branca, Vittore, ed., Mercanti scrittori: ricordi nella Firenze tra medioevo e Rinascimento (Milan: Rusconi, 1986)Google Scholar
Brucker, Gene A., Florentine Politics and Society 1343–1378 (Princeton: Princeton University Press, 1962)CrossRefGoogle Scholar
Klapisch-Zuber, Christiane, Ritorno alla politica: i magnati fiorentini 1340–1440 (Rome: Viella, 2009)Google Scholar
Milner, Stephen J., ‘Communication, Consensus and Conflict: Rhetorical Precepts, the ars concionandi and Social Ordering in Late Medieval Italy’, in The Rhetoric of Cicero in its Medieval and Renaissance Commentary Tradition, ed. by Cox, Virginia and Ward, John O. (Leiden: Brill, 2006), pp. 411–60Google Scholar
Milner, Stephen J. ‘The Italian Peninsula: Reception and Dissemination’, in Humanism in Fifteenth- Century Europe, ed. by Rundle, David (Oxford: The Society for the Study of Medieval Languages and Literatures, 2012), pp. 1–30Google Scholar
Najemy, John M., A History of Florence 1200–1575 (Oxford: Blackwell, 2006)CrossRefGoogle Scholar
Trexler, Richard C., Public Life in Renaissance Florence (Ithaca: Cornell University Press, 1991)Google Scholar
Wallace, David, Chaucerian Polity: Absolutist Lineages and Associational Forms in England and Italy (Stanford: Stanford University Press, 1997)Google Scholar
Weissman, Ronald F. E., ‘The Importance of Being Ambiguous: Social Relations, Individualism, and Identity in Renaissance Florence’, in Urban Life in the Renaissance, ed. by Zimmerman, Susan and Weissman, Ronald F. E. (Newark: University of Delaware Press, 1989), pp. 269–80Google Scholar
Witt, Ronald, In the Footsteps of the Ancients: The Origins of Humanism from Lovato to Bruni (Boston: Brill, 2003)CrossRefGoogle Scholar
Giancarlo, Alfano, D'Urso, Teresa, and Saggese, Alessandra Perriccioli, eds, Boccaccio angioino: materiali per la storia di Napoli nel Trecento (Brussels: Peter Lang, 2012)Google Scholar
Anderson, David,‘Which are Boccaccio's Own Glosses?’, in Gli zibaldoni di Boccaccio: memoria, scrittura, riscrittura. Atti del Seminario internazionale di Firenze-Certaldo (26–28 aprile 1996), ed. by Picone, Michelangelo and Bérard, Claude Cazalé (Florence: Cesati, 1998), pp. 327–31Google Scholar
Anselmi, Gian Mario, Baffetti, Giovanni, Delcorno, Carlo, and Nobili, Sebastiana, eds, Boccacccio e i suoi lettori: una lunga ricezione (Bologna: Il Mulino, 2013)Google Scholar
Armstrong, Guyda, ‘Heavenly Bodies: The Presence of the Divine Female in Boccaccio’, Italian Studies, 60 (2005), 134–46CrossRefGoogle Scholar
Barański, Zygmunt G., and Cachey Jr., Theodore J., eds, Petrarch and Dante: Anti-Dantism, Metaphysics, Tradition (Notre Dame: University of Notre Dame Press, 2009), pp. 114–73CrossRefGoogle Scholar
Barolini, Teodolinda, ‘The Wheel of the Decameron’, Romance Philology, 36.4 (1983), 521–39Google Scholar
Barsella, Susanna, ‘Boccaccio, Petrarch, and Peter Damian: Two Models of the Humanist Intellectual’, Modern Language Notes, 121 (2006), 16–48Google Scholar
Baxter, Catherine, ‘Turpiloquium in Boccaccio's Tale of the Goslings (Decameron, Day iv, Introduction)’, Modern Language Review, 108 (2013), 812–38Google Scholar
Billanovich, Giuseppe, Restauri boccacceschi (Rome: Edizioni di storia e letteratura, 1947)Google Scholar
Clarke, K. P., Chaucer and Italian Textuality (Oxford: Oxford University Press, 2011)CrossRefGoogle Scholar
Cornish, Alison, Vernacular Translation in Dante's Italy: Illiterate Literature (Cambridge: Cambridge University Press, 2011)Google Scholar
Eisner, Martin, ‘Petrarch Reading Boccaccio: Revisiting the Genesis of the Triumphi’, in Petrarch and the Textual Origins of Interpretation, ed. by Barolini, Teodolina and Storey, H. Wayne (Leiden: Brill, 2007), pp. 131–46Google Scholar
Enenkel, Karl, ‘Modelling the Humanist: Petrarch's Letter to Posterity and Boccaccio's Biography of the Poet Laureate’, in Modelling the Individual: Biography and Portrait in the Renaissance, ed. by Enenkel, Karl, de Jong-Crane, Betsy, and Liebregts, Peter (Amsterdam: Rodopi, 1998), pp. 11–49CrossRefGoogle Scholar
Ferrante, Joan M., ‘Politics, Finance and Feminism in Decameron, ii, 7’, Studi sul Boccaccio, 21 (1993), 151–74Google Scholar
Gibaldi, Joseph, ‘The Decameron cornice and the Responses to the Disintegration of Civilisation’, Kentucky Romance Quarterly, 24 (1977), 349–57CrossRefGoogle Scholar
Gittes, Tobias Foster, ‘St. Boccaccio: The Poet as Pander and Martyr’, Studi sul Boccaccio, 30 (2002), 133–57Google Scholar
Giusti, Eugenio, Dall'amore cortese alla comprensione: il viaggio ideologico di Giovanni Boccaccio dalla ‘Caccia di Diana’ al ‘Decameron’ (Milan: LED, 1999)Google Scholar
Hagedorn, C. Suzanne, Abandoned Women: Rewriting the Classics in Dante, Boccaccio and Chaucer (Ann Arbor: University of Michigan, 2004)Google Scholar
Janssens, Marcel, ‘The Internal Reception of the Stories within the Decameron’, in Boccaccio in Europe: Proceedings of the Boccaccio Conference, Leuven, December 1975, ed. by Tournoy, Gilbert (Leuven: Leuven University Press, 1977), pp. 135–48Google Scholar
Kirkham, Victoria, ‘An Allegorically Tempered Decameron’, Italica, 62.1 (1985), 1–23CrossRefGoogle Scholar
Kriesel, James C., ‘The Genealogy of Boccaccio's Theory of Allegory’, Studi sul Boccaccio, 36 (2009), 197–226Google Scholar
Lummus, David, ‘Boccaccio's Three Venuses: On the Convergence of Celestial and Transgressive Love in the Genealogie Deorum Gentilium’, Medievalia et Humanistica, 37 (2011), 65–88Google Scholar
Lummus, David ‘Boccaccio's Hellenism and the Foundations of Modernity’, Mediaevalia, 33 (2012), 101–67CrossRefGoogle Scholar
Lummus, David ‘Boccaccio's Poetic Anthropology: Allegories of History in the Genealogie Deorum Gentilium Libri’, Speculum, 87.3 (2012), 724–65CrossRefGoogle Scholar
Marchesi, Simone, ‘“Sic me formabat puerum”: Horace's Satire i, 4 and Boccaccio's Defense of the Decameron’, Modern Language Notes, 116.1, (2001), 1–29Google Scholar
Marchesi, Simone ‘Boccaccio's Vernacular Classicism: Intertextuality and Interdiscoursivity in the Decameron’, Heliotropia, 7 (2010), 31–50Google Scholar
McLaughlin, Martin L., Literary Imitation in the Italian Renaissance: The Theory and Practice of Literary Imitation in Italy from Dante to Bembo (Oxford: Clarendon Press, 1995)Google Scholar
Mercuri, Roberto, ‘Genesi della tradizione letteraria italiana in Dante, Petrarca e Boccaccio’, in Letteratura italiana: storia e geografia, dir. by Rosa, Alberto Asor, 3 vols (Turin: Einaudi, 1987), i: L'età medievale, pp. 229–455Google Scholar
Milner, Stephen J. ‘Coming Together: Consolation and the Rhetoric of Insinuation in Boccaccio's Decameron’, in The Erotics of Consolation: Desire and Distance in the Late Middle Ages, ed. by Léglu, Catherine E. and Milner, Stephen J. (New York: Palgrave, 2008), pp. 95–113CrossRefGoogle Scholar
La novella italiana: atti del convegno di Caprarola, Roma, 2 vols (Rome: Salerno, 1989)Google Scholar
Rico, Francisco, Ritratti allo specchio (Boccaccio, Petrarca) (Padua: Antenore, 2012)Google Scholar
Storey, H. Wayne, ‘Following Instructions: Remaking Dante's Vita nova in the Fourteenth Century’, in Medieval Constructions in Gender and Identity: Essays in Honor of Joan M. Ferrante, ed. by Barolini, Teodolinda (Tempe: Arizona Center for Medieval and Renaissance Studies, 2005), pp. 117–32Google Scholar
Storey, H. Wayne ‘Contesti e culture testuali della lettera di frate Ilaro’, Dante Studies, 124 (2006), 57–76Google Scholar
Velli, Giuseppe, Petrarca e Boccaccio: tradizione, memoria, scrittura (Padua: Antenore, 1995)Google Scholar
Armstrong, Guyda, ‘Boccaccio and the Infernal Body: The Widow as Wilderness’, in Boccaccio and Feminist Criticism, ed. by Stillinger and Psaki, pp. 83–104Google Scholar
Armstrong, Guyda ‘The Framing of Fiammetta: Gender, Authorship, and Voice in an Elizabethan Translation of Boccaccio’, in Elizabethan Translation and Literary Culture, ed. by Schmidt, Gabriela (Berlin: Walter de Gruyter, 2013), pp. 299–339CrossRefGoogle Scholar
Barolini, Teodolinda, ‘“Le parole son femmine e i fatti sono maschi”: Toward a Sexual Poetics of the Decameron (Decameron 2.9, 2.10, 5.10)’, Studi sul Boccaccio, 21 (1993), 175–97, repr. in Barolini, Dante and the Origins of Italian Literary Culture (New York: Fordham University Press, 2006), 281–303Google Scholar
Blamires, Alcuin, Pratt, Karen, and Marx, C. W., eds, Woman Defamed and Woman Defended (Oxford: Oxford University Press, 1992)CrossRefGoogle Scholar
Calabrese, Michael, ‘Feminism and the Packaging of Boccaccio's Fiammetta’, Italica, 74 (1997), 20–42CrossRefGoogle Scholar
Filosa, Elsa, Tre studi sul ‘De mulieribus claris’ (Milan: Edizioni Universitarie di Lettere Economia Diritto, 2012)Google Scholar
Franklin, Margaret, Boccaccio's Heroines: Power and Virtue in Renaissance Society (Aldershot: Ashgate, 2006)Google Scholar
Jordan, Constance, ‘Boccaccio's In-Famous Women: Gender and Civic Virtue in the De mulieribus claris’, in Ambiguous Realities: Women in the Middle Ages and Renaissance, ed. by Levin, Carole and Watson, Jeanie (Detroit: Wayne State University Press, 1987)Google Scholar
Kolsky, Stephen, The Genealogy of Women: Studies in Boccaccio's ‘De mulieribus claris’ (New York: Peter Lang, 2003)Google Scholar
Maclean, Ian, The Renaissance Notion of Woman: A Study in the Fortunes of Scholasticism and Medical Science in European Intellectual Life (Cambridge: Cambridge University Press, 1980)CrossRefGoogle Scholar
Psaki, F. Regina, ‘The Play of Genre and Voicing in Boccaccio's Corbaccio’, Italiana, 5 (1993), 41–54Google Scholar
Stillinger, Thomas C. and Psaki, F. Regina, eds, Boccaccio and Feminist Criticism, (Chapel Hill: Annali d'Italianistica, 2006)Google Scholar
Wallace, David, ‘Letters of Old Age: Love between Men, Griselda, and Farewell to Letters (Rerum senilium libri)’, in Petrarch: A Critical Guide to the Complete Works, ed. by Kirkham, Victoria and Maggi, Armando (Chicago: The University of Chicago Press, 2009), pp. 321–30Google Scholar
Armstrong, Guyda, ‘Paratexts and their Functions in Seventeenth-Century English Decamerons’, Modern Language Review, 102 (2007), 40–57CrossRefGoogle Scholar
Armstrong, Guyda ‘A Bibliography of Boccaccio's Works in English Translation: Part i. The Minor Works’, Studi sul Boccaccio, 38 (2010), 167–204Google Scholar
Branca, Vittore, ed., Boccaccio visualizzato: narrare per parole e per immagini fra Medioevo e Rinascimento, 3 vols (Turin: Einaudi, 1999)Google Scholar
Daniels, Rhiannon, ‘Controversy, Censorship and Boccaccio's Life of Pope Joan’, Studi sul Boccaccio, 34 (2006), 185–98Google Scholar
Daniels, Rhiannon ‘Rethinking the Critical History of the Decameron: Boccaccio's Epistle xxii to Mainardo Cavalcanti’, Modern Language Review, 106 (2011), 423–47Google Scholar
Diffley, P. B., ‘From Translation to Imitation and Beyond: A Reassessment of Boccaccio's Role in Marguerite de Navarre's Heptaméron’, Modern Language Review, 90 (1995), 345–62CrossRefGoogle Scholar
Hainsworth, Peter, ‘Translating the Decameron: Some Problems and Possibilities’, in ‘Ciò che potea la lingua nostra’: Lectures and Essays in Memory of Clara Florio Cooper, ed. by Vilma De Gasperin, The Italianist, 30 (2010), Special Supplement, pp. 121–31CrossRefGoogle Scholar
Hedeman, Anne D., Translating the Past: Laurent de Premierfait and Boccaccio's ‘De casibus’ (Los Angeles: J. Paul Getty Museum, 2008)Google Scholar
Jones, Nicola, ‘The Importance of “Visualization”: Re-viewing Branca on Manuscript Illustration’, in Caro Vitto: Essays in Memory of Vittore Branca, ed. by Jill Kraye and Laura Lepschy, The Italianist, 27 (2007), Special Supplement 2, 28–48Google Scholar
Ó Cuilleanáin, Cormac, ‘Not in Front of the Servants: Forms of Bowdlerism and Censorship in Translation’, in Literary Translation: Constraints and Creativity, ed. by Boase-Beier, Jean and Holman, Michael (Manchester: St Jerome, 1999), pp. 31–44Google Scholar
Ó Cuilleanáin, Cormac ‘“Boccaccio Could be Better Served”: Harry McWilliam and Translation Criticism’, in Italian Culture: Interactions, Transpositions, Translations, ed. by Ó Cuilleanáin, Cormac, Salvadori, Corinna, and Scattergood, John (Dublin: Four Courts Press, 2006), pp. 45–68Google Scholar
Brian, Richardson, Print Culture in Renaissance Italy: The Editor and the Vernacular Text, 1470–1600 (Cambridge: Cambridge University Press, 1994)Google Scholar
Brian, Richardson Manuscript Culture in Renaissance Italy (Cambridge: Cambridge University Press, 2009)Google Scholar
Brian, Richardson ‘The Textual History of the Decameron’, in Boccaccio: A Critical Guide to the Complete Works, ed. by Kirkham, Victoria, Sherberg, Michael, and Levarie Smarr, Janet (Chicago: University of Chicago Press, 2013), pp. 41–49Google Scholar
Ricketts, Jill, Visualizing Boccaccio: Studies on Illustrations of the ‘Decameron’, from Giotto to Pasolini (Cambridge: Cambridge University Press, 1997)Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×