Book contents
- The Cambridge Companion to Australian Poetry
- The Cambridge Companion to Australian Poetry
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgements
- Chronology
- Introduction
- Part I Change and Renewal
- Part II Networks
- 4 Above and Below
- 5 Romanticism, Sensibility, and Settler Women Poets
- 6 Experiment and Adaptation
- 7 The Post-war Golden Generation, 1945–1965
- 8 Generation of ’68 and a Culture of Revolution
- Part III Authors
- Part IV Embodied Poetics
- Part V Expanding Form
- Further Reading
- Index
- Cambridge Companions To …
- References
5 - Romanticism, Sensibility, and Settler Women Poets
from Part II - Networks
Published online by Cambridge University Press: 06 June 2024
- The Cambridge Companion to Australian Poetry
- The Cambridge Companion to Australian Poetry
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgements
- Chronology
- Introduction
- Part I Change and Renewal
- Part II Networks
- 4 Above and Below
- 5 Romanticism, Sensibility, and Settler Women Poets
- 6 Experiment and Adaptation
- 7 The Post-war Golden Generation, 1945–1965
- 8 Generation of ’68 and a Culture of Revolution
- Part III Authors
- Part IV Embodied Poetics
- Part V Expanding Form
- Further Reading
- Index
- Cambridge Companions To …
- References
Summary
This chapter investigates how Australian women poets mobilised Romantic sensibility and the figure of the poetess to navigate the complex dynamic between liminality and voice. It proposes a transnational extension of a female Romantic tradition to advocate for the rights of those disempowered in colonial and patriarchal structures. The chapter explores how writers like Eliza Hamilton Dunlop, Mary Bailey, and Caroline Leakey linked themes of exile and transportation with Romantic tropes such as the ‘fallen woman.’ It demonstrates how their poetry reveals an emotional range that extends the domestic affections into expressions of anger and distress at injustices. It also considers how religion informed their responses to regimes of regulation. The chapter also analyses Ada Cambridge’s critique of marriage in the suppressed volume Unspoken Thoughts, as well as her amplification of a broader gendering of harm and shame.
- Type
- Chapter
- Information
- The Cambridge Companion to Australian Poetry , pp. 89 - 100Publisher: Cambridge University PressPrint publication year: 2024