Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-dlnhk Total loading time: 0 Render date: 2024-11-22T07:31:24.323Z Has data issue: false hasContentIssue false

Introduction

Published online by Cambridge University Press:  06 June 2024

Ann Vickery
Affiliation:
Deakin University, Victoria
Get access

Summary

The new millennium has witnessed a resurgence in poetry as its condensed form, attention to feeling, and capacity to capture the zeitgeist attracts more readers than ever before. Australia has been at the forefront of experimenting with emergent and hybrid forms such as the verse novel, prose poetry, digital poetries, and poetic biography. Among the first to realise the potential of the Internet to create a vibrant cross-cultural dialogue around poetry and poetics, Australians initiated online journals that reached out globally like Jacket and Cordite Poetry Review. Australia’s poets have increasingly garnered international recognition. Les Murray was dubbed “one of the superleague that includes Seamus Heaney, Derek Walcott and Joseph Brodsky” by the Independent on Sunday (quoted in Davie) while Dan Chiasson discerned in The New Yorker that Murray was “routinely mentioned among the three of four leading-English language poets.” In 2017, Australian poet Ali Cobby Eckermann was the first Indigenous writer worldwide to be awarded Yale University’s prestigious Windham Campbell Prize.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2024

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Bloom, Harold. “Introduction.” Peripheral Light: Selected and New Poems, edited by Kinsella, John. Fremantle Arts Centre Press, 2003, pp. xiiixxviii.Google Scholar
Chiasson, Dan. “Fire Down Below: The Poetry of Les Murray.” The New Yorker, 4 June 2007. www.newyorker.com/magazine/2007/06/11/fire-down-below.Google Scholar
Clemens, Justin. “First Fruits of a Barron Field.” Critical Quarterly vol.61 no.1, 2019, pp. 1836.CrossRefGoogle Scholar
Dale, Leigh. “Australian Literature in the University.” The Routledge Companion to Australian Literature, edited by Gildersleeve, Jessica. Routledge, 2020, pp. 163–70.Google Scholar
Davie, Donald. “Boeotian Masters.” London Review of Books vol.14 no.21, 5 November 1992. www.lrb.co.uk/the-paper/v14/n21/donald-davie/boeotian-masters.Google Scholar
Duggan, Laurie. “In Dialogue with Laurie Duggan,” with David McCooey. Double Dialogues no.5, 2003. https://doubledialogues.com/article/in-dialogue-with-laurie-duggan/.Google Scholar
Giddens, Anthony. “The Consequence of Modernity.” Colonial Discourse and Postcolonial Theory: A Reader, edited by William, Patrick and Chrisman, Laurie. Longman, 1994, pp. 181–89.Google Scholar
Griffith, Michael. “Francis Webb’s Challenge to Mid-Century Mythmaking: The Case of Ludwig Leichardt in Australian Literature.” Australian Literary Studies vol.10 no.4, 1982, pp. 448–58.Google Scholar
Harford, Lesbia. Collected Poems: Lesbia Harford, edited by Dennis, Oliver. UWA Publishing, 2014.Google Scholar
Harwood, Gwen. Poems. Angus & Robertson, 1963.Google Scholar
Hope, A. D.Culture Corroboree.” The Jindyworobaks, edited by Elliott, Brian. University of Queensland Press, 1979, pp. 248–52.Google Scholar
Ingamells, Rex with Ian Tilbrook. Conditional Culture. Preece, 1938.Google Scholar
Jacklin, Michael. “‘Desde Australia para todo elm undo hispano’: Australia’s Spanish-Language Magazines and Latin American/Australian Writing.” Antipodes vol.24 no.2, 2010, pp. 177–86.Google Scholar
Klee, Louis. “Reading Lionel Fogarty.” Textual Practice vol.36 no.6, 2022, pp. 928–52.CrossRefGoogle Scholar
Martin, A. W.Henry Parkes: Man and Politician.” Melbourne Studies in Education vol.4 no.1, 1960, pp. 324.CrossRefGoogle Scholar
Mead, Philip. Networked Language: Culture and History in Australian Poetry. Australian Scholarly Publishing, 2008.Google Scholar
Modjeska, Drusilla. Exiles at Home: Australian Women Writers 1925–1945. Sirius Books, 1981.Google Scholar
Moreton-Robinson, Aileen. Talkin’ Up to the White Woman: Indigenous Women and Feminism. University of Queensland Press, 2000, reprinted 2020.Google Scholar
Mudrooroo, . “Guerilla Poetry: Lionel Fogarty’s Response to Language Genocide.” Westerly vol.31 no.3, 1986, pp. 4755.Google Scholar
Ommundsen, Wenche. “Multicultural Writing in Australia.” A Companion to Australian Literature since 1900, edited by Birns, Nicholas and McNeer, Rebecca. Camden House, 2007, pp. 7386.CrossRefGoogle Scholar
Paisley, Fiona. The Lone Protestor: A.M. Fernando in Australia and Europe. Aboriginal Studies Press, 2012.Google Scholar
Palmer, Nettie. Modern Australian Literature (1900–1923). Lothian, 1924.Google Scholar
Ryan, Gig. “Fuori le mura: Seven Vicki Viidikas Poems.” Cordite Poetry Review, 1 May 2015. http://cordite.org.au/essays/seven-vicki-viidikas-poems/ .Google Scholar
Sheridan, Susan. Nine Lives: Postwar Women Writers Making Their Mark. University of Queensland Press, 2011.Google Scholar
Shiosaki, Elfie. Homecoming. Magabala Books, 2021.Google Scholar
Smith, Ellen. “Local Moderns: The Jindyworobak Movement and Australian Modernism.” Australian Literary Studies vol.27 no.1, 2012, pp. 117. www.australianliterarystudies.com.au/articles/local-moderns-the-jindyworobak-movement-and-australian-modernism.Google Scholar
Vickery, Ann and Fagan, Kate. “‘The whole reflected world shuddering’: Active Aesthetics and Contemporary Poetry.” Active Aesthetics: Contemporary Australian Poetry, edited by Benjamin, Daniel and Stancek, Claire Marie. Tuumba Press, 2016, pp. 1728.Google Scholar
Zhong, Huang and Ommundsen, Wenche. “Toward a Multilingual National Literature: The Tung Wah Times and the Origins of Chinese Australian Writing.” JASAL vol.15 no.3, 2015, pp. 111.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Introduction
  • Edited by Ann Vickery, Deakin University, Victoria
  • Book: The Cambridge Companion to Australian Poetry
  • Online publication: 06 June 2024
  • Chapter DOI: https://doi.org/10.1017/9781009470186.002
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Introduction
  • Edited by Ann Vickery, Deakin University, Victoria
  • Book: The Cambridge Companion to Australian Poetry
  • Online publication: 06 June 2024
  • Chapter DOI: https://doi.org/10.1017/9781009470186.002
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Introduction
  • Edited by Ann Vickery, Deakin University, Victoria
  • Book: The Cambridge Companion to Australian Poetry
  • Online publication: 06 June 2024
  • Chapter DOI: https://doi.org/10.1017/9781009470186.002
Available formats
×