Book contents
- The Cambridge Companion to Amy Beach
- Cambridge Companions to Music
- The Cambridge Companion to Amy Beach
- Copyright page
- Contents
- Figures
- Tables
- Music Examples
- Contributors
- Acknowledgments
- Chronology
- Part I Historical Context
- 1 Between Composer’s Desk and Piano Bench
- 2 Amy Beach and the Women’s Club Movement
- 3 “A Reality of Glorious Attainment”
- 4 Amy Beach and Her Publishers
- Part II Profiles of the Music
- Part III Reception
- Appendix: List of Works
- Select Bibliography
- Index
1 - Between Composer’s Desk and Piano Bench
Amy Beach’s Life and Works
from Part I - Historical Context
Published online by Cambridge University Press: 19 October 2023
- The Cambridge Companion to Amy Beach
- Cambridge Companions to Music
- The Cambridge Companion to Amy Beach
- Copyright page
- Contents
- Figures
- Tables
- Music Examples
- Contributors
- Acknowledgments
- Chronology
- Part I Historical Context
- 1 Between Composer’s Desk and Piano Bench
- 2 Amy Beach and the Women’s Club Movement
- 3 “A Reality of Glorious Attainment”
- 4 Amy Beach and Her Publishers
- Part II Profiles of the Music
- Part III Reception
- Appendix: List of Works
- Select Bibliography
- Index
Summary
Amy Marcy Cheney Beach (1867–1944) was a musical prodigy whose professional career vacillated between piano performance and composition. Her professional debut was delayed until age sixteen because of parental misgivings, and then her performance career was curtailed at age eighteen when she married a prominent physician, Dr. H. H. A. Beach. His insistence that she devote her energies to composition rather than performance, along with his desire that she remain self-taught, inspired her to develop a unique late-Romantic compositional style. With the support of the Boston Symphony Orchestra and its musicians, she produced a Mass with orchestra, a symphony, a concerto, and numerous chamber works. Her trailblazing accomplishments included many firsts for American women composers. After the death of her husband and mother in 1910 and 1911, she reinvented herself as a virtuoso performer while still composing. Her compositional output is widely varied in genre, instrumentation, and musical style.
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- The Cambridge Companion to Amy Beach , pp. 3 - 21Publisher: Cambridge University PressPrint publication year: 2023