This chapter looks at how the notions of black escape and black wishland have been conceptualized in African American utopianism since the post-WWII conception of the Beloved Community, a conception mostly associated with Martin Luther King, Jr. and the civil rights movement. Through its discussions of Sun Ra’s “Space is the Place” (1971), Parliament’s “Chocolate City” (1975), Reginald Hudlin’s “Space Traders” (1994), Octavia E. Butler’s “The Book of Martha” (2003), and Chesya Burke’s “The Teachings and Redemption of Ms. Fannie Lou Mason” (2011), this chapter argues that these texts, if read collectively, not only reveal that the debates between black utopians and antiutopians parallel those between the opponents and proponents of Afropessimism, but they also suggest that liberating black life from social death requires combining the best of Afropessimism and black antiutopian critique with the best of black aliveness, Afro-fabulation, and the black utopian imagination.