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Chapter 6 - When and Where They Enter

Black and Brown Voices in American Theatre

from Part II - Regional Theatre Movement

Published online by Cambridge University Press:  20 August 2021

Julia Listengarten
Affiliation:
University of Central Florida
Stephen Di Benedetto
Affiliation:
Michigan State University
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Summary

Cognizant of the risks of oversimplification and unavoidable omissions, Carpenter’s essay introduces major movements and advances within the African American and Latinx American dramatic canons from the era of the civil rights movement to the present. Referring to select playwrights (Amiri Baraka, Luis Valdez, Adrienne Kennedy, Maria Irene Fornes, Lynn Nottage, and Quiara Alegría Hudes) as exemplars for this exploration, Carpenter offers a progressive build in this historical account, closing by focusing on the most contemporary of these dramatists. These celebrated artists are mere “tips of the iceberg”; they are highlighted here to inspire readers to pursue research and gain a greater sense of familiarity with the rich history and proliferating presence of racially and culturally diverse in American theatre. Carpenter reminds us that utilizing expressions such as “diversity and inclusion” will fall flat as trendy phrases unless theatre practitioners and scholars recognize and actively address the fact America’s network of regional theatre still has much to accomplish when it comes to actualizing commitments to equity.

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Publisher: Cambridge University Press
Print publication year: 2021

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References

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Broyles-González, Y. Teatro Campesino: Theater in the Chicano Movement. University of Texas Press, 1994.Google Scholar
Buckner, J. (ed.). A Critical Companion to Lynn Nottage. Routledge, 2016.CrossRefGoogle Scholar
Carpenter, F. C. Coloring Whiteness: Acts of Critique in Black Performance. University of Michigan Press, 2014.CrossRefGoogle Scholar
Cooper, A. J. A Voice from the South. Oxford University Press, 1988.Google Scholar
Hudes, Q. A. Elliot, A Soldiers Fugue. Theatre Communications Group, 2012.Google Scholar
Hudes, Q. A., and Sanchez, G. S.. “Pausing and Breathing: Two Sisters Deliver the ATHE 2018 Conference Keynote Address.” Theatre Topics, 29:1 (2019).Google Scholar
Kennedy, A.Funnyhouse of a Negro.” In Adrienne Kennedy in One Act. Minneapolis: University of Minnesota Press, 1998.Google Scholar
Mahala, M. Penumbra: The Premier Stage for African American Drama. University of Minnesota Press, 2013.Google Scholar
Neal, L.The Black Arts Movement.” TDR, 12:4 (1968), 2839.Google Scholar
Nottage, L. Intimate Apparel and Fabulation, or the Re-education of Undine. Theatre Communications Group, 2006.Google Scholar

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