Queer Horror

doi:10.1017/9781009071550.011

8 - Queer Horror

from Part II - Genres

Published online by Cambridge University Press: 21 July 2022

Laura Westengard

Edited by

Stephen Shapiro and

Mark Storey

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Stephen Shapiro: Affiliation:
University of Warwick
Mark Storey: Affiliation:
University of Warwick

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Summary

This chapter examines the queer Gothicism of American horror to consider the ways in which marginalized genders and sexualities have been either condemned or covertly endorsed through horror’s textual and visual mediums. In mainstream cis-heteronormative society, queer genders and sexualities have been an abjectified, “horrific” presence, and these mainstream investments represented via horror, as a mode of expression devoted to irruptions of the body, means that the presence of queerness is often registered as an a priori spoliation of bodily norms. Like the term “queer” itself, audiences have often reappropriated the Gothic figures that appear in horror, and some queer creators have intentionally deployed such Gothicisms for the sake of representing queerness. This chapter explores the conflicting purposes of horror’s depiction of queerness by reviewing several Gothic tropes as they appear in American horror texts, focusing specifically on monstrosity, vampirism, the asylum, medical body horror, and haunting.

Keywords

Queer Gothic vampire haunting asylum cannibal monster body horror

Type: Chapter
Information: The Cambridge Companion to American Horror , pp. 120 - 138

DOI: https://doi.org/10.1017/9781009071550.011 [Opens in a new window]

Publisher: Cambridge University Press

Print publication year: 2022

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