Heather Nathans centers the representation of slave rebellions and rebellious Black characters on the theatrical stage “from the colonial era through the beginning of the twentieth century.” She reveals how dramatic representations of captive uprisings were influenced by actual events. For example, the revolution in Haiti (formerly Saint Domingue), which was led by Toussaint L’Ouverture in 1791, inspired the scripting of numerous plays about unrest and revolution in “Hayti,” among other places. Nathans reveals that plays, penned by both White and Black playwrights, frequently depicted the unjust conditions to which Black men and women were subjected. They framed rebellion and revolt as justifiable acts.