Book contents
- Frontmatter
- Dedication
- Epigraph
- Contents
- On Headed Paper
- The Built Environment
- Sub-architecture
- Bernini's Apollo and Daphne
- What Gretel Knows
- Katana
- Where the Swimming Pool Was
- A False Winter
- Tammasmass E'en
- Notes: A Monumental Brass
- Inscription
- Cambridge Primitive
- On Reading the Meaning of ‘Falchion’ in an Encyclopaedia
- Wish You Were Here
- Othona
- Potpourri
- The Animal in Motion
- Cartography for Beginners
- ‘Grasmere Lake’
- The Valley of the Stour with Dedham in the Distance
- The Henry Hudson Bridge
- New Battersea Bridge Nocturnes
- Wet Season
- Lecture
- Objection!
- A Stretch of River
- Difference
- Building
- The Egyptologist
- Cockle Shell Beach, Low Tide
- Labour
- Daphnia; or, The Water Flea
- In Praise of Pollen
- Four Seasons, St Giles Cripplegate
- Notes and Acknowledgments
Wet Season
- Frontmatter
- Dedication
- Epigraph
- Contents
- On Headed Paper
- The Built Environment
- Sub-architecture
- Bernini's Apollo and Daphne
- What Gretel Knows
- Katana
- Where the Swimming Pool Was
- A False Winter
- Tammasmass E'en
- Notes: A Monumental Brass
- Inscription
- Cambridge Primitive
- On Reading the Meaning of ‘Falchion’ in an Encyclopaedia
- Wish You Were Here
- Othona
- Potpourri
- The Animal in Motion
- Cartography for Beginners
- ‘Grasmere Lake’
- The Valley of the Stour with Dedham in the Distance
- The Henry Hudson Bridge
- New Battersea Bridge Nocturnes
- Wet Season
- Lecture
- Objection!
- A Stretch of River
- Difference
- Building
- The Egyptologist
- Cockle Shell Beach, Low Tide
- Labour
- Daphnia; or, The Water Flea
- In Praise of Pollen
- Four Seasons, St Giles Cripplegate
- Notes and Acknowledgments
Summary
Pictures of nothing, all alike.
—William Hazlitt on J.M.W. TurnerThe world is like nothing we have ever seen,
the catastrophe of the morning's rain
hangs in the air and will not be drawn out. Yet, light.
On the horizon that has forgotten itself
and the water that refuses to own its depth
there is light.
A lone crawler toward light—
his back like a beacon on the road—that frog
that refused to budge, like light through eyelids
he sat in your mind, crawled into the space
behind your smile and sketched himself beyond your eyes.
We speak pictures of nothing in silence, quite unalike.
And the rain falls on. Scrape, blot, wipe wet paint,
draw over. Nothing can be undone, draw over, paint on
until the canvas turns in on itself and is pierced
by a hole, a flame, a lake.
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- Information
- The Built Environment , pp. 28Publisher: Liverpool University PressPrint publication year: 2018