Book contents
- Frontmatter
- Dedication
- Epigraph
- Contents
- On Headed Paper
- The Built Environment
- Sub-architecture
- Bernini's Apollo and Daphne
- What Gretel Knows
- Katana
- Where the Swimming Pool Was
- A False Winter
- Tammasmass E'en
- Notes: A Monumental Brass
- Inscription
- Cambridge Primitive
- On Reading the Meaning of ‘Falchion’ in an Encyclopaedia
- Wish You Were Here
- Othona
- Potpourri
- The Animal in Motion
- Cartography for Beginners
- ‘Grasmere Lake’
- The Valley of the Stour with Dedham in the Distance
- The Henry Hudson Bridge
- New Battersea Bridge Nocturnes
- Wet Season
- Lecture
- Objection!
- A Stretch of River
- Difference
- Building
- The Egyptologist
- Cockle Shell Beach, Low Tide
- Labour
- Daphnia; or, The Water Flea
- In Praise of Pollen
- Four Seasons, St Giles Cripplegate
- Notes and Acknowledgments
A Stretch of River
- Frontmatter
- Dedication
- Epigraph
- Contents
- On Headed Paper
- The Built Environment
- Sub-architecture
- Bernini's Apollo and Daphne
- What Gretel Knows
- Katana
- Where the Swimming Pool Was
- A False Winter
- Tammasmass E'en
- Notes: A Monumental Brass
- Inscription
- Cambridge Primitive
- On Reading the Meaning of ‘Falchion’ in an Encyclopaedia
- Wish You Were Here
- Othona
- Potpourri
- The Animal in Motion
- Cartography for Beginners
- ‘Grasmere Lake’
- The Valley of the Stour with Dedham in the Distance
- The Henry Hudson Bridge
- New Battersea Bridge Nocturnes
- Wet Season
- Lecture
- Objection!
- A Stretch of River
- Difference
- Building
- The Egyptologist
- Cockle Shell Beach, Low Tide
- Labour
- Daphnia; or, The Water Flea
- In Praise of Pollen
- Four Seasons, St Giles Cripplegate
- Notes and Acknowledgments
Summary
Mavisbank House. Late
afternoon, winter.
The building—
what is left—rises
at the end of the long,
boggy field. It's still
quite something.
Mavis, meaning thrush.
Blackbirds and loud great tits
sing. Things, after all,
are in the habit of changing.
There was once a camp
for Napoleonic
prisoners of war and so
I've been walking along
imagining writing to one:
Mon cher, ça va? Butlet's
not talk about the war—
You have tasted,
you must have,
this water—so sweet,
so smooth, tempered
by long journey from the hills,
moss-filtered. It seems
to remember its time
as snow. The man
in the wine shop
told me how perfect it was
for paper-making, being so soft.
Yes, for many years
they prospered
on paper, in Loanhead
and in Penicuik.
What tense to use
when writing of the future past?
Industrious Esk:
maker of men! How many
fortunes flowed from you.
There were those
who looked on Nature's might
as though it were the work
of a great and ancient general—
sought to learn from,
use, to harness it.
And many wheels
were set in motion,
and many years they moved.
Now dogs are walked here
where work was done.
‘This
is the loveliest of theriver's
spots.’ Maidenhall Castle,
no castle left.
Where the river most
awkwardly meanders
in to virtual islets
that just demand
to be picnicked,
or settled, or paddled in.
I love the woods,
but love them most
when some manmade
but abandoned thing
is near… I find it best
not to press this sense.
A little downstream
is a lovely spot
(I recommend a trip if you can get out)
where the cliffs shade
the sloping shore
of the opposite bank.
I sat below a tree
whose whole trunk
stretched out across the water
as though it were a limb
slung, or reaching out
to touch… something.
Leant against the base
I watched a bird,
a little treecreeper,
peck and pick
the moss away
from the bark. And with
my right eye I could also
see—beyond the farbank's
straight and upright trees—
a buzzard, high up,
describing generous circles,
slowly. And I was straining
to keep both in sight;
the distant, seeming casual
flight, the close and urgent
fretting. It was a thing
I had to try to do,
like an exercise.
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- Information
- The Built Environment , pp. 31 - 37Publisher: Liverpool University PressPrint publication year: 2018