8 - Monuments
from Part Three - Rameau
Published online by Cambridge University Press: 05 August 2013
Summary
If fm-de-siècle critics could agree on anything, it was that Jean-Philippe Rameau had a place among the greatest French composers. A shining paragon of French musical virtues, his music exuded clarity, grace, and elegance. And here, for once, was a composer for whom they did not have to construct elaborate rationales to claim as French, since Rameau was actually French by birth. As a result, he was the object of unanimous and continuous praise in musical circles, as this passage from the musicologist and critic Adolphe Jullien reveals:
By a law of nature that is not in our power to alter, France has produced only a very small number of great musicians, by which I mean those superior geniuses who are like gods of music: almost all of them have seen the light of day in Italy or, above all, in Germany. We can pride ourselves for having as compatriots musicians of high quality, who have played a major role in the history of French music: Campra, Destouches, Monsigny, Philidor, Berton, Boϊeldieu, Nicolo, Herold, etc.; but I see none but Rameau, and perhaps Méhul and Berlioz, who can be placed among the leading f gures of musical art.
- Type
- Chapter
- Information
- Building the Operatic MuseumEighteenth-Century Opera in Fin-de-Siècle Paris, pp. 145 - 162Publisher: Boydell & BrewerPrint publication year: 2013