Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-mlc7c Total loading time: 0 Render date: 2024-11-09T22:11:56.327Z Has data issue: false hasContentIssue false

8 - Monuments

from Part Three - Rameau

Published online by Cambridge University Press:  05 August 2013

William Gibbons
Affiliation:
Texas Christian University
Get access

Summary

If fm-de-siècle critics could agree on anything, it was that Jean-Philippe Rameau had a place among the greatest French composers. A shining paragon of French musical virtues, his music exuded clarity, grace, and elegance. And here, for once, was a composer for whom they did not have to construct elaborate rationales to claim as French, since Rameau was actually French by birth. As a result, he was the object of unanimous and continuous praise in musical circles, as this passage from the musicologist and critic Adolphe Jullien reveals:

By a law of nature that is not in our power to alter, France has produced only a very small number of great musicians, by which I mean those superior geniuses who are like gods of music: almost all of them have seen the light of day in Italy or, above all, in Germany. We can pride ourselves for having as compatriots musicians of high quality, who have played a major role in the history of French music: Campra, Destouches, Monsigny, Philidor, Berton, Boϊeldieu, Nicolo, Herold, etc.; but I see none but Rameau, and perhaps Méhul and Berlioz, who can be placed among the leading f gures of musical art.

Type
Chapter
Information
Building the Operatic Museum
Eighteenth-Century Opera in Fin-de-Siècle Paris
, pp. 145 - 162
Publisher: Boydell & Brewer
Print publication year: 2013

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Monuments
  • William Gibbons, Texas Christian University
  • Book: Building the Operatic Museum
  • Online publication: 05 August 2013
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Monuments
  • William Gibbons, Texas Christian University
  • Book: Building the Operatic Museum
  • Online publication: 05 August 2013
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Monuments
  • William Gibbons, Texas Christian University
  • Book: Building the Operatic Museum
  • Online publication: 05 August 2013
Available formats
×