Book contents
- The British Novel of Ideas
- The British Novel of Ideas
- Copyright page
- Contents
- Contributors
- Dedication
- Introduction The British Novel of Ideas
- Part I 1850–1900
- Part II 1900–1945
- Part III 1945–1975
- Chapter 13 The Psycho-political Novel of Ideas and the Second World War
- Chapter 14 Naomi Mitchison
- Chapter 15 George Orwell
- Chapter 16 Rebecca West
- Chapter 17 George Lamming
- Chapter 18 Doris Lessing
- Chapter 19 Iris Murdoch
- Part IV 1975–Present
- Bibliography
- Index
Chapter 13 - The Psycho-political Novel of Ideas and the Second World War
from Part III - 1945–1975
Published online by Cambridge University Press: 05 December 2024
- The British Novel of Ideas
- The British Novel of Ideas
- Copyright page
- Contents
- Contributors
- Dedication
- Introduction The British Novel of Ideas
- Part I 1850–1900
- Part II 1900–1945
- Part III 1945–1975
- Chapter 13 The Psycho-political Novel of Ideas and the Second World War
- Chapter 14 Naomi Mitchison
- Chapter 15 George Orwell
- Chapter 16 Rebecca West
- Chapter 17 George Lamming
- Chapter 18 Doris Lessing
- Chapter 19 Iris Murdoch
- Part IV 1975–Present
- Bibliography
- Index
Summary
The paper will be looking at two Second World War texts, Olaf Stapledon’s 1944 science fiction fantasy Sirius, about the genetic modification of a sheepdog so that it becomes a superdog capable of speech and spiritual and erotic relationships; and Charles Williams’ 1945 theological fantasy All Hallow’s Eve. The novels are novels of ideas, testing theories of creative evolution and species distinctions with Stapledon, and damnation and control with Williams: both explore the death drive within the psyche in war culture, and posit the very different ways infection by Fascist politics have shaped those explorations.
- Type
- Chapter
- Information
- The British Novel of IdeasGeorge Eliot to Zadie Smith, pp. 225 - 241Publisher: Cambridge University PressPrint publication year: 2024