This chapter reads Cymbeline in the context of early modern tapestry depiction, in particular the uses of botanical motifs in medieval tapestries. It examines Cymbeline’s use of tapestries onstage as a way of recalling pre-Reformation technologies of seeing and interpreting visual texts. It asks to what extent Cymbeline, and Shakespeare’s theatre more boradly, can be understood sacramental in its conception, dramaturgy, and use of objects.