Book contents
- Reviews
- The Book You Need to Read to Write the Book You Want to Write
- The Book You Need to Read to Write the Book You Want to Write
- Copyright page
- Dedication
- Contents
- Preface
- Acknowledgements
- – 1 – Getting started
- – 2 – Memory and imagination
- – 3 – Character
- – 4 – Plot and structure I
- – 5 – Plot and structure II
- – 6 – Form and length
- – 7 – Dialogue
- – 8 – Narrative viewpoint and narrative voice
- – 9 – Beginnings and endings; tension and pace
- – 10 – Description
- – 11 – Research
- – 12 – Drawing it all together
- – 13 – Publication and the writing life
- Notes
- Select bibliography
- Index
– 5 – - Plot and structure II
Published online by Cambridge University Press: 17 February 2022
- Reviews
- The Book You Need to Read to Write the Book You Want to Write
- The Book You Need to Read to Write the Book You Want to Write
- Copyright page
- Dedication
- Contents
- Preface
- Acknowledgements
- – 1 – Getting started
- – 2 – Memory and imagination
- – 3 – Character
- – 4 – Plot and structure I
- – 5 – Plot and structure II
- – 6 – Form and length
- – 7 – Dialogue
- – 8 – Narrative viewpoint and narrative voice
- – 9 – Beginnings and endings; tension and pace
- – 10 – Description
- – 11 – Research
- – 12 – Drawing it all together
- – 13 – Publication and the writing life
- Notes
- Select bibliography
- Index
Summary
Theories about plot structure and the extent of their value. ‘The Seven Basic Plots’ (Christopher Booker). Five-act structure (Gustav Freytag). Joseph Campbell’s hero’s journey. Tsvetan Todorov’s five stages of action. The inevitability of plot. Kenn Adams’s story spine. Kurt Vonnegut’s story shapes. ‘Seeding’ conditions in order to make later events believable. The use of more than one timeframe. The risks inherent in confounding reader expectation.
‘You have a broad trajectory for your story when you start writing because you know the beginning and have a sense of an ending, but this trajectory will not be a straight line – the most direct journey from A to Z, where everything goes right, is the least interesting and probably not worth writing about.’
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- The Book You Need to Read to Write the Book You Want to WriteA Handbook for Fiction Writers, pp. 55 - 69Publisher: Cambridge University PressPrint publication year: 2022