Book contents
- Blood
- The Darwin College Lectures
- Blood
- Copyright page
- Contents
- Figures
- Notes on Contributors
- Acknowledgements
- Introduction
- 1 Battle Blood
- 2 Transitional Bleeding in Early Modern England
- 3 Blood in Motion, or the Physics of Blood Flow
- 4 Dracula, Blood, and the New Woman: Stoker’s Reflections on the Zeitgeist
- 5 Blood Lines of the British People
- 6 Heroes and Villains of Blood
- 7 Cold Blood: Some Ways by Which Animals Cope with Low Temperatures
- 8 Blood Sculptures
- Index
8 - Blood Sculptures
Published online by Cambridge University Press: 13 June 2022
Book contents
- Blood
- The Darwin College Lectures
- Blood
- Copyright page
- Contents
- Figures
- Notes on Contributors
- Acknowledgements
- Introduction
- 1 Battle Blood
- 2 Transitional Bleeding in Early Modern England
- 3 Blood in Motion, or the Physics of Blood Flow
- 4 Dracula, Blood, and the New Woman: Stoker’s Reflections on the Zeitgeist
- 5 Blood Lines of the British People
- 6 Heroes and Villains of Blood
- 7 Cold Blood: Some Ways by Which Animals Cope with Low Temperatures
- 8 Blood Sculptures
- Index
Summary
In conversation with one of the editors (Iosifina Foskolou), Marc Quinn discusses his life and practice as an artist, and how that brought him to work with blood. After discussing the technical challenges of sculpting with blood, the conversation moves to notable artworks, including: Self, Our Blood, Breath, and A Surge of Power.
- Type
- Chapter
- Information
- Blood , pp. 170 - 182Publisher: Cambridge University PressPrint publication year: 2022