Book contents
- Benjamin Britten in Context
- Composers in Context
- Benjamin Britten in Context
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Notes on Contributors
- Acknowledgements
- Bibliographic and In-Text Abbreviations
- Prologue
- Part I The Britten Circle(s)
- Part II British Musical Life
- Chapter 7 Composing in England
- Chapter 8 Britten and Film
- Chapter 9 Britten and the Radio
- Chapter 10 Recording a Musical Experience: Britten’s Works on Record and Television
- Chapter 11 Music Critics and the Press
- Chapter 12 Britten and English Opera
- Chapter 13 Festival Culture in the British Isles
- Chapter 14 Concert Life in Britain
- Chapter 15 Benjamin Britten and Folk Song
- Chapter 16 Educating the Nation
- Part III Britten and Other Composers
- Part IV Wordsmiths, Designers, and Performers
- Part V British Sociocultural, Religious, and Political Life
- Further Reading
- Index
Chapter 9 - Britten and the Radio
from Part II - British Musical Life
Published online by Cambridge University Press: 31 March 2022
- Benjamin Britten in Context
- Composers in Context
- Benjamin Britten in Context
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Notes on Contributors
- Acknowledgements
- Bibliographic and In-Text Abbreviations
- Prologue
- Part I The Britten Circle(s)
- Part II British Musical Life
- Chapter 7 Composing in England
- Chapter 8 Britten and Film
- Chapter 9 Britten and the Radio
- Chapter 10 Recording a Musical Experience: Britten’s Works on Record and Television
- Chapter 11 Music Critics and the Press
- Chapter 12 Britten and English Opera
- Chapter 13 Festival Culture in the British Isles
- Chapter 14 Concert Life in Britain
- Chapter 15 Benjamin Britten and Folk Song
- Chapter 16 Educating the Nation
- Part III Britten and Other Composers
- Part IV Wordsmiths, Designers, and Performers
- Part V British Sociocultural, Religious, and Political Life
- Further Reading
- Index
Summary
During Britten’s lifetime, there were fundamental changes to technology that altered his and his audience’s experience of live and recorded musical performance. Chief among these was the advent of radio, established in Britain in October 1922 with the formation of the British Broadcasting Company (BBC). This chapter explores the BBC’s influence on British musical life and the cultural life of the nation. Discussions include the corporation’s manner of promotion of past and contemporary British music and composers and the changes made to programming during and in the immediate aftermath of the Second World War. The BBC was fundamental to Britten’s creation of a British identity as he disseminated his music to a wider audience, as well as to the success of the Aldeburgh Festival.
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- Benjamin Britten in Context , pp. 78 - 85Publisher: Cambridge University PressPrint publication year: 2022