Book contents
- Frontmatter
- Contents
- Introduction: beginning at Colonus
- How Greek poems begin
- The Muse corrects: the opening of the Odyssey
- Sappho 16, Gorgias' Helen, and the preface to Herodotus' Histories
- Tragic beginnings: narration, voice, and authority in the prologues of Greek drama
- Plato's first words
- Plautine negotiations: the Poenulus prologue unpacked
- Proems in the middle
- Openings in Horace's Satires and Odes: poet, patron, and audience
- An aristocracy of virtue: Seneca on the beginnings of wisdom
- Beginnings in Plutarch's Lives
- “Initium mihi operis Servius Galba iterum T. Vinius consules …”
Plautine negotiations: the Poenulus prologue unpacked
Published online by Cambridge University Press: 10 January 2011
- Frontmatter
- Contents
- Introduction: beginning at Colonus
- How Greek poems begin
- The Muse corrects: the opening of the Odyssey
- Sappho 16, Gorgias' Helen, and the preface to Herodotus' Histories
- Tragic beginnings: narration, voice, and authority in the prologues of Greek drama
- Plato's first words
- Plautine negotiations: the Poenulus prologue unpacked
- Proems in the middle
- Openings in Horace's Satires and Odes: poet, patron, and audience
- An aristocracy of virtue: Seneca on the beginnings of wisdom
- Beginnings in Plutarch's Lives
- “Initium mihi operis Servius Galba iterum T. Vinius consules …”
Summary
Once of philosophers they told us stories,
Whom, as I think, they called–Py—Pythagories;—
I'm sure 'tis some such Latin name they give 'em,
And we, who know no better, must believe 'em.
Now to these men (say they) such souls were given,
That after death ne'er went to hell nor heaven,
But lived, I know not how, in beasts; and then,
When many years were passed, in men again.
Methinks, we players resemble such a soul;
That does from bodies, we from houses stroll.
Thus Aristotle's soul, of old that was,
May now be damned to animate an ass;
Or in this very house, for aught we know,
Is doing painful penance in some beau.
Epilogue to Love for Love, spoken by Mrs. BracegirdleThe vision of the soul of the author of the Poetics trapped in the body of a Restoration beau and compelled to sit through a performance of Congreve is doubtless one calculated to gladden the heart of any true lover of comedy. But how much greater, we imagine, would have been his sufferings at a performance of Roman comedy. The seventeenth century had at least heard of Aristotle and paid lip service to the French understanding of his dictates upon the drama. Plautus by contrast seems quite unburdened by any anxiety over the philosopher's influence.
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- Beginnings in Classical Literature , pp. 131 - 146Publisher: Cambridge University PressPrint publication year: 1992
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