Book contents
- Beckett and Buddhism
- Beckett and Buddhism
- Copyright page
- Dedication
- Contents
- Figures
- Acknowledgments
- Abbreviations of Editions Used
- Introduction
- Chapter 1 Schopenhauer’s Buddhism Revisited: Recent Archival Evidence
- Chapter 2 East–West Dialogue via Schopenhauer
- Chapter 3 Buddhist and Mystic Threads in the Early Fiction
- Chapter 4 Beckett’s Paradoxical Logic through Buddhist and Western Lenses
- Chapter 5 The Coincidence of Contraries and Noh Drama
- Chapter 6 The No-Self Staged and Voices from Elsewhere
- Chapter 7 Rebirth and the Buddhist Unborn in the Fiction and Drama
- Chapter 8 Dreaming ‘all away’ in the Final Texts
- References
- Index
Chapter 3 - Buddhist and Mystic Threads in the Early Fiction
Published online by Cambridge University Press: 08 July 2021
- Beckett and Buddhism
- Beckett and Buddhism
- Copyright page
- Dedication
- Contents
- Figures
- Acknowledgments
- Abbreviations of Editions Used
- Introduction
- Chapter 1 Schopenhauer’s Buddhism Revisited: Recent Archival Evidence
- Chapter 2 East–West Dialogue via Schopenhauer
- Chapter 3 Buddhist and Mystic Threads in the Early Fiction
- Chapter 4 Beckett’s Paradoxical Logic through Buddhist and Western Lenses
- Chapter 5 The Coincidence of Contraries and Noh Drama
- Chapter 6 The No-Self Staged and Voices from Elsewhere
- Chapter 7 Rebirth and the Buddhist Unborn in the Fiction and Drama
- Chapter 8 Dreaming ‘all away’ in the Final Texts
- References
- Index
Summary
Continuing the investigations of Beckett’s posthumously published first novel Dream of Fair to Middling Women begun in the previous chapter, the third chapter probes in greater detail the family resemblances (in the Wittgensteinian sense) between Dream’s creative asylum and space of writing in the mind and Schopenhaurian Buddhist-infused philosophy and Christian mystical thought. Further examined, beginning with his first novel, are the forerunners of Beckett’s aesthetics of emptiness and creation from nothing. The chapter’s discussion of the 1933 short story ‘Echo’s Bones’, posthumously published in 2014 and the final story about the author's fictional persona Belacqua, uncovers the Buddhist allusions kept out of sight by the story’s burlesque drift. In contrast, the reading of Murphy in this chapter counters some early commentators’ Buddhist analysis of Beckett’s second novel. This chapter concludes the investigation of Beckett’s fiction of the 1930s in relation to Schopenhauer’s relay of Eastern thought.
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- Information
- Beckett and Buddhism , pp. 64 - 87Publisher: Cambridge University PressPrint publication year: 2021