Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-gb8f7 Total loading time: 0 Render date: 2024-11-22T10:30:35.417Z Has data issue: false hasContentIssue false

5 - An irregular in love's army: the problems of identification

Published online by Cambridge University Press:  05 June 2012

Get access

Summary

What's ‘in’ a name? Cynthia in the elegies of Propertius is both a proper name and, as the first word of the first book, the title of the book as well, according to the convention of referring to books by their opening words. Just as arma, the first word of Virgil's Aeneid, serves as a title for the poem and as a generic marker (this poem has warfare as its theme and hence is an epic), so Cynthia serves as a generic marker in the poetry of Propertius (these poems have a woman as their theme and hence are love elegies). Thus in Propertius 1.7, the epic of Ponticus and the elegy of Propertius are differentiated and characterized respectively by the words arma (2, ‘weapons’) and domina (6, ‘mistress’), arma and Cynthia are both signifiers, but a subtle distinction emerges in the categorization of arma as a common noun and Cynthia as a proper noun. Whilst there is ready acceptance that arma can signify many things – weapons, warfare, epic poetry, the male genitalia – even that these can be interlocking links in a chain of signification, there is often reluctance to accept that Cynthia can do other than refer to a person. A so-called ‘proper’ noun seems to demand a single point or object of reference in a way that a ‘common’ noun does not. The derivation of the grammatical term from proprius (‘one's own’) seems to guarantee that the noun is an (or the) exclusive property of the person to whom it refers.

Type
Chapter
Information
The Arts of Love
Five Studies in the Discourse of Roman Love Elegy
, pp. 83 - 100
Publisher: Cambridge University Press
Print publication year: 1992

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×