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from Part IV - The Art in Action
Published online by Cambridge University Press: 05 December 2024
In the second decade of the sixteenth century some musicians began to tire of teleologies. Chapter 15 describes a “new sonorousness” that would soon flourish in music by composers such as Jean Richafort and Adrian Willaert. Whereas their settings of the Pater noster embrace continuous musical flow, Josquin’s reaches new heights in projecting an esthetics of opposition.
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