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Chapter 5 - The Portego

Published online by Cambridge University Press:  23 August 2021

Monika Schmitter
Monika Schmitter
Affiliation:
University of Massachusetts, Amherst
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Summary

In the quintessentially Venetian space of the portego, Odoni displayed works of art with the military and moral themes traditionally associated with the room. At the same time, he also transformed it into a gallery choc-a-block with ancient and modern sculpture, as well as paintings.

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The Art Collector in Early Modern Italy
Andrea Odoni and his Venetian Palace
 , pp. 111 - 140
Publisher: Cambridge University Press
Print publication year: 2021

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  • The Portego
  • Monika Schmitter, University of Massachusetts, Amherst
  • Book: The Art Collector in Early Modern Italy
  • Online publication: 23 August 2021
  • Chapter DOI: https://doi.org/10.1017/9781108933315.006
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  • The Portego
  • Monika Schmitter, University of Massachusetts, Amherst
  • Book: The Art Collector in Early Modern Italy
  • Online publication: 23 August 2021
  • Chapter DOI: https://doi.org/10.1017/9781108933315.006
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • The Portego
  • Monika Schmitter, University of Massachusetts, Amherst
  • Book: The Art Collector in Early Modern Italy
  • Online publication: 23 August 2021
  • Chapter DOI: https://doi.org/10.1017/9781108933315.006
Available formats
×