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Chapter 50 - Artworks in Context

The Historical Framework

from Part VIII - Aegean Art at the End of the Bronze Age

Published online by Cambridge University Press:  19 May 2022

Jean-Claude Poursat
Affiliation:
University of Clermont-Ferrand
Carl Knappett
Affiliation:
University of Toronto
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Summary

The period that runs from the fall of the palaces until the end of the Bronze Age around 1050 bc is still, overall, a troubled one that is marked, on the mainland as in the islands of the Aegean, by multiple destructions. These have allowed for the differentiation of several phases, thanks to changes in pottery. The longest period, Late Helladic (LH) IIIC, is most often subdivided into three phases (Early, Middle, Late). The first, very short phase corresponds to the immediate aftermath of the destruction. The second, LH IIIC Middle, characterised by new ceramic styles (P. Mountjoy, in Deger-Jalkotzy and Zavadil 2007, 221–42), looks like a short-lived ‘renaissance’; at Mycenae and Tiryns, it has even been divided into two subphases (LH IIIC Middle developed and LH IIIC Middle advanced). The third sees a rapid decline in the previous styles.

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Publisher: Cambridge University Press
Print publication year: 2022

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References

Further Reading

Deger-Jalkotzy, 2003–9: Deger-Jalkotzy, S. et al. eds., LH III C Chronology and Synchronisms, I, II, III, Vienna.Google Scholar
Deger-Jalkotzy, and Lemos, 2006: Deger-Jalkotzy, S., Lemos, I. eds., Ancient Greece: From the Mycenaean Palaces to the Age of Homer, Edinburgh.CrossRefGoogle Scholar
Dickinson, 2006: Dickinson, O., The Aegean from Bronze Age to the Iron Age: Continuity and Change between the Twelfth and Eighth Centuries BC, London.CrossRefGoogle Scholar
Evely, 2006: Evely, D. ed., Lefkandi IV. The Bronze Age: The Late Helladic IIIC settlement at Xeropolis, London.Google Scholar
Iakovidis, 1969: Iakovidis, Sp, Perati. To nekrotafeion (in Greek), Athens.Google Scholar

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