Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-jkksz Total loading time: 0 Render date: 2024-12-22T21:09:35.395Z Has data issue: false hasContentIssue false

The ‘Lewes Group’ of Wall Paintings in Sussex

Published online by Cambridge University Press:  23 March 2023

Get access

Summary

The ‘Lewes Group’ comprises five related schemes of wall painting, executed within the period c.1080-1120, in the Sussex parish churches of Clayton, Coombes, Hardham, Plumpton and Westmeston. It is possible that either Clayton or Hardham, or both, were owned by the Cluniac Priory at Lewes when the paintings were executed. The name of the group has arisen from the belief that there was a connection between the paintings and Lewes Priory, and it is retained here for convenience, though it will be argued below that even if the connectian did exist its significance should not be over-emphasised. Three of the five churches - Clayton, Plumpton, and Westmeston, - lie at the foot of the South Downs, near Lewes. Coombes is in the Adur Valley, near Bramber, while Hardham is some distance away from the other churches, on Stane Street, a mile to the south of Pulborough. The churches themselves are all fairly primitive and small, consisting of a rectangular nave and chancel, though Clayton may also originally have had low transepts and Coombes a west tower. The walls are of flint or other rubble, pierced by very small single-splayed windows; these have since been replaced or complemented by larger openings, at some damage to the wall paintings. Although the siting of all the churches now seems rather remote - especially Coombes, which is only reached by crossing a field - at the time the paintings were carried out the Sussex Downs and coastal plain were a prosperous and heavily populated area, with considerable arable farming, a thriving salt industry, and an important port at Shoreham. The present high importance of the Lewes Group paintings derives from their exceptionally early date, the comparatively large amount of painting which still survives; and the fact that they are a group, rather than just isolated survivals like virtually all other Romanesque wall paintings in England.

Unfortunately, although five Lewes Group schemes are known, one of them has been destroyed completely. The paintings discovered beneath post-Reformation layers at Westmeston in 1862 were almost immediately destroyed, and are now known largely from the poor account and copies published by the Revd Heathcote Campion.

Type
Chapter
Information
Anglo-Norman Studies VI
Proceedings of the battle Conference 1983
, pp. 200 - 237
Publisher: Boydell & Brewer
Print publication year: 1984

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×