Book contents
- Frontmatter
- Contents
- LIST OF ILLUSTRATIONS AND TABLES
- EDITOR'S PREFACE
- ABBREVIATIONS
- Mints and Money in Norman England
- Literate Sociability and Historical Writing in Later Twelfth-Century England
- The Archbishopric of Canterbury and the So-called Introduction of Knight-Service into England
- Lastingham and the Architecture of the Benedictine Revival in Northumbria
- ‘Lanfranc of Bec’ and Berengar of Tours
- The Invention of the Manor in Norman England
- Herbert Losinga's Trip to Rome and the Bishopric of Bury St Edmunds
- Le récit de Geoffroi Malaterra ou la légitimation de Roger, Grand Comte de Sicile
- The Two Deaths of William Longsword: Wace, William of Malmesbury, and the Norman Past
- The Beasts Who Talk on the Bayeux Embroidery: The Fables Revisited
- The Piety of Earl Godwine
Lastingham and the Architecture of the Benedictine Revival in Northumbria
Published online by Cambridge University Press: 05 April 2013
- Frontmatter
- Contents
- LIST OF ILLUSTRATIONS AND TABLES
- EDITOR'S PREFACE
- ABBREVIATIONS
- Mints and Money in Norman England
- Literate Sociability and Historical Writing in Later Twelfth-Century England
- The Archbishopric of Canterbury and the So-called Introduction of Knight-Service into England
- Lastingham and the Architecture of the Benedictine Revival in Northumbria
- ‘Lanfranc of Bec’ and Berengar of Tours
- The Invention of the Manor in Norman England
- Herbert Losinga's Trip to Rome and the Bishopric of Bury St Edmunds
- Le récit de Geoffroi Malaterra ou la légitimation de Roger, Grand Comte de Sicile
- The Two Deaths of William Longsword: Wace, William of Malmesbury, and the Norman Past
- The Beasts Who Talk on the Bayeux Embroidery: The Fables Revisited
- The Piety of Earl Godwine
Summary
At first sight the village church at Lastingham, set upon a hillock on the edge of the moors with the ground dropping away to the east, looks like a standard Norman parish church with later additions (Figure 1). The exterior has an eastern apse, preceded by a forebay, with Romanesque detailing: a string-course with billet and other abstract ornament beneath round-headed windows. The aisles have tracery windows of fourteenth- and fifteenth-century date, and the tower is fifteenth century. It could pass muster as any ordinary parish church; but further inspection reveals something very rare. The apse is two-storied, a lower central window indicating the presence of a crypt within, and in the forebay on each side a low mural arch allows light into the crypt through a small eastward-facing window (Figure 2). On entering the church, we are presented towards the west with four large Romanesque piers designed to support the crossing of a substantial cruciform church (Figure 3). What we are dealing with, in fact, is not a simple parish church, but a partly completed Benedictine abbey church later converted for parochial use. We are doubly fortunate, not only that the monastic fabric has survived (albeit somewhat altered from the original design), but that there is documentary evidence that testifies to the brief period in the early 1080s in which it must have been raised, and the reasons why it was never completed.
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- Information
- Anglo-Norman Studies 34Proceedings of the Battle Conference 2011, pp. 63 - 104Publisher: Boydell & BrewerPrint publication year: 2012