Chapter 7 moves on to Lucian, who extends the field of reflection by conjuring up the entwinement of deception with aesthetic illusion, not exclusively but chiefly in texts devoted to philosophy and its pretensions. Philopseudes uses the allure of superstitious tales circulated by philosophers to contemplate the effect of immersive narrative at large; Nigrinus calls upon the aesthetics of deception to expose the shortcomings of protreptic discourse and facile ideas of conversion; Hermotimus compares philosophical misguidance to the effects of visual art and poetry. However, Lucian’s engagement with the aesthetics of deception is not confined to ridiculing philosophy; it is carried by a serious concern with the effects of logos as diagnosed by Plato. The high reflexivity that the form of dialogue and the layering of narrative levels generate in the discussed texts can be seen as a response to the danger inherent in immersion.