Book contents
- Frontmatter
- Contents
- Notes on Contributors
- Introduction: Itinerariesof African Ecocriticism and Environmental Transformations in African Literature
- Literary Totemism and its Relevance for Animal Advocacy: A Zoocritical Engagement with Kofi Anyidoho’s Literary Bees
- Reading for Background: Suyi Davies Okungbowa’s David Mogo, Godhunter and ‘the end of the world as we know it’
- Poetics of Landscape: Representation of Lagos as a ‘Modernizing’ City in Nigerian Poetry
- Poetic Style and Anthropogenic Ecological Adversity in Steve Chimombo’s Poems
- Female Autonomy in Kaine Agary’s Yellow-Yellow
- Local Collisions: Oil on Water, Postcolonial Ecocriticism, and the Politics of Form
- ‘It is the Writer’s Place to Stand with the Oppressed’: Anthropocene Discourses in John Ngong Kum Ngong’s Blot on the Landscape and The Tears of the Earth
- Black Atlantic Futurism, Toxic Discourses and Decolonizing the Anthropocene in Nnedi Okorafor’s The Book of Phoenix
- Readings into the Plantationocene: From the Slave Narrative of Charles Ball to the Speculative Histories of Octavia Butler and Nnedi Okorafor
- INTERVIEW
- LITERARY SUPPLEMENT
- TRIBUTE
- REVIEWS
‘Poems from the Oil Archipelago’ (& Other Poems)
Published online by Cambridge University Press: 07 November 2020
- Frontmatter
- Contents
- Notes on Contributors
- Introduction: Itinerariesof African Ecocriticism and Environmental Transformations in African Literature
- Literary Totemism and its Relevance for Animal Advocacy: A Zoocritical Engagement with Kofi Anyidoho’s Literary Bees
- Reading for Background: Suyi Davies Okungbowa’s David Mogo, Godhunter and ‘the end of the world as we know it’
- Poetics of Landscape: Representation of Lagos as a ‘Modernizing’ City in Nigerian Poetry
- Poetic Style and Anthropogenic Ecological Adversity in Steve Chimombo’s Poems
- Female Autonomy in Kaine Agary’s Yellow-Yellow
- Local Collisions: Oil on Water, Postcolonial Ecocriticism, and the Politics of Form
- ‘It is the Writer’s Place to Stand with the Oppressed’: Anthropocene Discourses in John Ngong Kum Ngong’s Blot on the Landscape and The Tears of the Earth
- Black Atlantic Futurism, Toxic Discourses and Decolonizing the Anthropocene in Nnedi Okorafor’s The Book of Phoenix
- Readings into the Plantationocene: From the Slave Narrative of Charles Ball to the Speculative Histories of Octavia Butler and Nnedi Okorafor
- INTERVIEW
- LITERARY SUPPLEMENT
- TRIBUTE
- REVIEWS
Summary
TROUBLE IN THE OIL ARCHIPELAGO
The classrooms are deserted.
The playgrounds have turned into
ghost fields where the gunfire
of militia and government troops
echo and re-echo ag
The curse of the great curse is upon us.
The curse of oil is upon us.
The once happy archipelago
is in the midst of a great dying.
The seabirds are gone, the fish are gone.
The river is red with the blood of the slain.
An ancient seagull, woken up from
a thousand years of slumber,
flies over the dying archipelago,
crying to sky, crying to earth,
mourning the death of everything.
MINOR AND THE OIL
This archipelago,
My blood.
My mother
Watered it
With her tears.
When I was born,
I was called Minor,
And treated like
A nobody.
When I howled
Against the infamy,
I was cut down
Like a thing
That this blood-
Stained sea,
My birth water,
May continue to roll
Out to sea
The killing oil barrels.
ODE TO A CHILDHOOD FRIEND
remember you,
O singing river,
river of my childhood,
haunting river, river of the singing creeks,
where Nature made of me a hunter,
a young fisherman hunting crabs
at the ebb of your mighty tide
I remember you
O sweet childhood friend,
wandering bard that sang to me
of adventures beyond the dancing banks
of the arching sunset, where sweeping tides
meet with the great sea and carry
the brave fisherman to seas
where waves tower over the earth
like Mount Kilimanjaro
I remember you
O playful elf, mating between the roots
of the mangrove trees and murmuring sweet sounds
with the water crabs, mating too and burrowing
deeper into sodden caves, where colonies of crabs
arise like columns of armor-clad Roman soldiers,
march down the banks in serried formation
at the hemline of your laughing skirt
I remember you. I remember you.
I remember you, O fallen friend, blood-stained river,
river drunk with the black crude of death,
river drunk with the vomitus of dying pipes,
river blind from the death touch of smoldering pipes.
- Type
- Chapter
- Information
- ALT 38 Environmental TransformationsAfrican Literature Today, pp. 146 - 152Publisher: Boydell & BrewerPrint publication year: 2020